Yana Skakun
Yana Skakun

Ely sits on one of England's most dramatic geographical positions: a low limestone island rising above the surrounding fens, its Cathedral visible for twenty miles in every direction across land so flat it seems to bend at the edges. The riverside below that hill — where the Great Ouse flows slowly past meadows, reed beds, and moored boats — offers engagement photography settings of a quiet, wide-sky beauty that is genuinely unlike anywhere else I photograph in Cambridgeshire. It is one of my favourite places to bring couples for exactly that reason: the openness does something to how people stand together, how conversation flows, how the whole session feels.
The meadows along the west bank of the Ouse, directly below the Cathedral, are my starting point for almost every Ely engagement session. The Cathedral fills the skyline from here, a constant and genuinely ancient presence sitting behind every frame regardless of which direction you turn. The grass is long and damp-edged in spring, dry and golden by midsummer, and by autumn it has taken on the same amber tones as the willows along the bank.
At dusk, the Cathedral's floodlighting begins to catch in the still water of the river, and the last hour before sunset here is genuinely special. I usually schedule sessions to end in this light deliberately, because the combination of golden sky, illuminated stone, and reflected water is something I have not found replicated anywhere else nearby. Couples who are drawn to a sense of scale and history in their photographs tend to respond to this location more than any other in Ely.
The meadows are also simply pleasant to walk through, which matters more than people expect for how relaxed a session feels. There is space to wander, to talk, to forget the camera is there for stretches at a time — and those unposed, mid-conversation moments are consistently among the ones couples end up loving most.
North and south of the city, the towpath runs through open Fenland — flat, wide-skied, and almost entirely unenclosed. This is a genuinely distinctive look within Cambridgeshire: no woodland backdrops, no hills, just the vast horizontal sweep of reeds, water, and sky that belongs uniquely to the Fens. For couples who want something visibly different from the more familiar English countryside settings, this landscape delivers real visual distinction rather than a variation on a theme.
The towpath also has a working, lived-in character. Narrowboats are moored along stretches of it, herons and swans are a near-constant presence, and the light out here, with nothing to interrupt it, changes quickly and dramatically through a session. I like using this stretch for couples who enjoy a slower pace — walking, talking, letting the session unfold as a proper afternoon out rather than a series of set-up shots.
Ely's recreational quayside brings together moored boats, converted waterside buildings including The Maltings, and open views across toward the flat fen landscape beyond. The industrial character of the old brick warehouse buildings contrasts nicely with the softness of the riverside light, and this area works particularly well for couples who want something with a slightly more contemporary, urban-waterside feel to sit alongside the more classic natural landscape images from elsewhere along the river.
It is also a genuinely good spot for a relaxed start to a session — there are benches, a café nearby, and enough activity around the water that couples who feel a little self-conscious in front of a camera settle in quickly, before we move on to quieter stretches of the riverside for the more intimate portraits.
A note on timing your Ely session
The riverside in Ely changes character dramatically depending on season and time of day, and I plan every session around getting the light right rather than defaulting to a standard slot. If you have a particular mood in mind — misty and quiet, golden and warm, or something with the Cathedral floodlit behind you — tell me and I will build the timing of your session around it.
Get in touch about your Ely sessionThe walled garden at Oliver Cromwell's House, a short walk up from the river, is a quieter and more enclosed option, sheltered from wind and offering a soft green setting very different from the openness of the meadows. For couples who want both the wide-sky drama of the riverside and the intimacy of a walled garden within the same session, Ely offers both within about ten minutes' walk of each other, which makes it one of the most efficient locations I work in for variety without a long drive between spots.
The garden also provides useful cover on days when the weather is uncertain — its mature hedging blocks wind in a way the open meadows simply cannot, and the more architectural, historic setting suits couples who want at least part of their gallery to feel a little more formal or timeless.
There genuinely is no bad season in Ely, only different moods. Early spring brings a misty, ethereal quality to the riverside that I find particularly beautiful for couples who want something soft and understated. Late spring adds wildflower colour through the meadows. Summer evenings give the longest possible golden hour of the year, which matters enormously here given how much the session relies on open sky. Autumn turns the willows along the bank a deep amber that pairs beautifully with the honey tones of the Cathedral stone, and winter brings low mist over the Fen that produces genuinely dramatic, almost otherworldly silhouette conditions unlike anything else in the county.
My honest advice to couples deciding when to book is to think about the mood they want rather than simply defaulting to summer. A misty February morning at the riverside can produce photographs with more atmosphere and character than a bright July afternoon, and I am always glad to talk through which season suits the particular feeling you are going for.
The ground along the riverside meadows can be genuinely uneven and, after rain, properly muddy, so footwear is worth thinking about before you arrive rather than discovering the problem halfway through a walk. Flat boots or trainers you don't mind getting a little dirty work far better than anything delicate, and it is always worth bringing a spare pair of shoes to change into for the drive home. The towpath sections in particular can be soft underfoot even on an apparently dry day, since the water table this close to the Ouse sits high year-round.
Wind is another factor that is easy to underestimate here. Because so much of the riverside is open and unsheltered, a breeze that feels mild in the city centre can be considerably stronger down by the water. Bringing a jacket or wrap you can put on between shots, even in summer, makes a real difference to how comfortable you both feel across a longer session, and comfort shows up directly in how relaxed people look in front of the camera.
Finally, allow more time than you think you need for moving between the different riverside spots. The meadows, the towpath, the quayside, and the walled garden are all within a reasonably short walk of each other, but stopping to enjoy each one properly, rather than rushing through, is part of what makes an Ely session feel unhurried rather than like a checklist being worked through at pace.
Some couples choose to combine an Ely riverside session with a second location elsewhere in Cambridgeshire, particularly if they want a stronger contrast between settings — the open fen landscape against the enclosed college backs in Cambridge, for instance, or the historic waterside against a woodland setting further out of the city. This works well logistically, since Ely sits close enough to Cambridge and the surrounding countryside that moving between locations within a single afternoon is straightforward without eating too much into actual shooting time.
For couples getting married in or near Ely, a riverside engagement session also doubles as useful reconnaissance for the wedding day itself — a chance to see how the light behaves at the actual time of year and time of day the wedding portraits will be taken, and to get a feel for how the Cathedral and the water interact with each other before the day itself, when there is far less room for experimentation.
Ely rewards a bit of local knowledge — knowing exactly when the light catches the Cathedral, which stretch of towpath is quietest at which hour, where the garden offers shelter on a blustery day. I know this riverside well and enjoy building sessions around it. If you would like to talk through timing, locations, or anything else for your own Ely engagement session, get in touch and we can start planning.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, specialising in wedding, family, and portrait photography across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Ely Riverside Engagement Photography: Wide Skies & Cathedral Silhouettes — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for ely riverside engagement photos or river great ouse ely photography, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about ely engagement session outdoors, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
Continue Reading

Photography Tips
5 min read · Read Article

Photography Tips
5 min read · Read Article

Photography Tips
5 min read · Read Article
Get in Touch
Get in touch to discuss your vision — I'll reply within 24 hours.