Yana Skakun
Yana Skakun

England has two bank holidays in May — the Early May Bank Holiday on the first Monday of the month, and the Spring Bank Holiday at the very end — and between them they bracket one of the most photogenic stretches of the whole year. By early May the clocks have been forward for a month, the light in the evenings has properly opened up, and the countryside around Cambridge has that specific fresh, saturated green that only lasts a few weeks before high summer dulls it slightly. By late May the gardens are full, the cow parsley is waist-high along every verge and footpath, and families who have been indoors all winter are actively looking for a reason to be outside together. For photography, a bank holiday brings something a normal weekend does not: an entire extra day where nobody has to rush back for Monday, grandparents can travel down and stay over, and children are not carrying the low-level tiredness of a five-day school week. I get asked every spring how families should use these two days if they want proper photographs to come out of them, so here is how I think about it.
A normal Saturday or Sunday in term time is compressed. There is usually a clubs run, food shopping, a birthday party to drop someone at, and the low hum of Monday morning already sitting in the back of everyone's mind by Sunday afternoon. A bank holiday Monday removes that pressure entirely. Nobody is packing a school bag that evening. Nobody is setting an alarm. The whole day has a looser, more spacious feel, and that shows up directly in photographs — shoulders are lower, children are less wound up, and there is none of the faint irritability that creeps in when everyone knows the weekend is about to end.
The other practical advantage is timing flexibility. Because the day is unstructured, I can offer earlier morning slots than I would on a normal Saturday, which matters enormously in May because sunrise is well before six and the soft early light lasts until around eight or nine before it hardens. A session at half past seven on a bank holiday Monday, while most of the street is still asleep, gets a park or a garden completely to yourself, with light that would otherwise require getting a family out of the house at an hour nobody would agree to on a school day.
The Early May Bank Holiday sits right at the point where spring is still unfolding rather than already established, and that timing opens up a few options that only exist for a short window.
A garden session at home. If you have even a modest garden with a patch of green, a flowering shrub, or a decent bit of fence or hedge as a backdrop, early May light in a home garden is genuinely lovely and the whole session can happen without anyone getting in a car. This is the easiest option logistically — no travel, no unfamiliar location for toddlers to get overwhelmed by, and the option to nip inside for a change of clothes or a snack break without losing the session.
A local park or riverside walk. Rather than a stand-and-pose session, I often suggest simply walking the route a family would normally take on a Sunday morning — along the river, through a local park, round the block to the playground — while I photograph as we go. This produces genuinely candid images rather than a set of posed portraits, and it suits families with a toddler or a dog far better than asking everyone to stand still in one spot for half an hour.
Bluebell woodland, if the timing lines up. Bluebell season in Cambridgeshire woodland is short and weather-dependent, typically running from mid-April into the first week or so of May, so in some years the Early May Bank Holiday catches the very tail end of it. When it does line up, a woodland full of bluebells is one of the most striking backdrops available anywhere in the county, and it is worth checking in the days before the bank holiday rather than assuming it will still be at its best.
A National Trust property or country estate. Many families already plan a bank holiday outing to somewhere like Anglesey Abbey, Wimpole Estate, or a similar grounds within reach of Cambridge. If that trip is happening anyway, building twenty minutes of proper photography into it — either with a photographer meeting you there or simply setting time aside yourselves — means you come away with images from a day that was going to happen regardless.
The Spring Bank Holiday, right at the end of May, sits at a completely different point in the season. Gardens are full and blowsy rather than just starting out, the light in the evening stretches long past eight o'clock, and if the weather is kind, it is genuinely warm rather than just bright.
An evening garden or golden hour session. Late May evening light after about six o'clock is some of the best of the entire year — warm, low, and soft — and because it is a bank holiday, families are not rushing to get children bathed and into bed for a school morning. This is often the single best window in the calendar for a relaxed, unhurried evening session.
A coastal visit. Norfolk and Suffolk are both within reasonable range of Cambridge, and a Spring Bank Holiday trip to the coast — Southwold, Aldeburgh, Holkham, Wells-next-the-Sea — combines a family day out with photography that simply is not available inland. Beach light in late May, particularly in the couple of hours before sunset, has a clarity and warmth that suits family portraits extremely well, and children tend to be at their most naturally joyful running around on sand.
A garden party or family gathering. If the Spring Bank Holiday already involves a barbecue, a gathering of extended family, or a birthday falling near that weekend, a short documentary-style session woven into the occasion — rather than pulling everyone away for formal portraits — captures the day as it actually happened rather than as a separate staged event.
Bank holiday availability is limited
Because both bank holidays fall on a single Monday, I can only take a handful of sessions on each date. If you have a specific idea in mind, the earlier you get in touch the more likely I am to be able to offer the time of day that suits it best.
Check bank holiday availabilityBank holidays are one of the few points in the year when grandparents, siblings, and cousins are genuinely more likely to be in the same place than on an ordinary weekend, and that is worth planning around deliberately. Even fifteen or twenty minutes of photographs before everyone sits down to eat — while people are still dressed properly and in good spirits, before the day gets long and children get tired — produces images that are very difficult to recreate at any other point. Once a gathering has been going for three or four hours, energy naturally dips, and trying to organise a group photograph at that stage tends to produce exactly the strained, herded expressions everyone is hoping to avoid.
Older relatives often feel noticeably more self-conscious in front of a camera than children or parents do, and asking them to simply stand and pose tends to produce a stiffness that does not reflect how warm the actual relationship is. What works far better is involving them in whatever the children are already doing — blowing bubbles in the garden, helping with a wobbly bike, sitting together on a picnic rug — so the interaction itself becomes the photograph rather than a posed arrangement of people looking at a lens. Those interaction shots, a grandparent laughing at something a toddler has just done, tend to become the images families treasure most a few years on, far more than a neatly lined-up formal group portrait.
May in England is genuinely unpredictable — a warm, settled Early May Bank Holiday is entirely possible, and so is a grey, blustery one with a real chill in the morning air, and the two bank holidays three weeks apart can easily feel like different seasons. Layers that still look considered on camera solve this practically: a light denim or linen jacket over a floral dress, a cardigan that can come off if the sun properly breaks through, a jumper knotted rather than worn if the day turns out warmer than expected. This means the same outfit works whether the morning starts at eleven degrees or eighteen.
For colour, the fresh, saturated green of May sits well with soft neutrals, dusty pastels, and muted florals — sage, buttermilk, dusty pink, warm stone, denim. Avoid logo-heavy clothing and sportswear, which reads as very casual against a spring backdrop and dates photographs quickly, and be cautious with very bright or highly saturated colours, particularly neon shades, which tend to compete with the landscape rather than sit alongside it. For a coastal Spring Bank Holiday session specifically, bring something that can get sandy or a little damp without anyone worrying about it — the best beach images are almost always the ones where children have been allowed to actually run and get their feet wet.
Because each bank holiday is a single Monday rather than a normal two-day weekend, the number of sessions I can offer on that date is naturally limited, and the best light of the day — early morning or the last couple of hours before sunset — tends to be requested first. If a bank holiday session is something you are considering, whether that is a garden session at home, a woodland walk, or building photography into a trip you already had planned, it is worth reaching out a few weeks ahead rather than the week itself, particularly for the Spring Bank Holiday evening slots, which are consistently the most requested time of the whole late-spring calendar.
Short-notice availability does occasionally open up closer to the date if another booking shifts, so it is always worth asking even if a bank holiday is only days away. Both of May's bank holidays offer something a normal weekend simply cannot — the light, the unhurried pace, and often the rare presence of extended family all in one place at the same time — and a small amount of forward planning is usually all it takes to turn that into a set of photographs the family will still be looking at years from now. If you would like to talk through which date and setting would suit your family best, get in touch and I will help you find a time that works.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, specialising in wedding, family, and portrait photography across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — May Bank Holiday Family Photoshoot Ideas — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for may bank holiday photoshoot or bank holiday family photos uk, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about spring bank holiday photography, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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