Yana Skakun
Yana Skakun

There is a particular kind of quiet that settles over a studio during a newborn twins session — two tiny people, each entirely their own person, who have never before been apart from one another for more than a few seconds. Photographing that first togetherness, and each baby individually within it, is one of the most extraordinary things I get to do as a photographer. It is also, honestly, one of the more technically and logistically demanding sessions in my diary, and it deserves to be approached with a different structure, timeline, and set of expectations than a single-baby newborn session. This guide sets out exactly how I plan and run newborn twins sessions for families across Cambridge and Cambridgeshire, so you know what to expect before your babies even arrive.
The single biggest difference between a twins session and a singleton session is not the number of babies in the frame — it is the number of babies who need to be fed, settled, and content at more or less the same time. With one newborn, the session flows around a single feeding and sleeping rhythm. With twins, that rhythm effectively has to be managed twice, often out of sync with each other, and the photography has to work around whichever baby is unsettled at any given moment while the other sleeps peacefully a few feet away.
In practical terms, this means twins sessions run considerably longer than single-baby sessions, need a second pair of hands in the room, and require a photographer who is entirely comfortable holding, supporting, and settling a newborn while a parent attends to the other one. I never rush a twins session, and I never attempt to force both babies into a set-up at once if one of them clearly needs a feed or a cuddle first. The most successful images come from working with whichever baby is ready, not from trying to keep to a fixed schedule regardless of how the morning is actually going.
A well-rounded newborn twins gallery has three distinct layers, and I plan for all three before the session begins so that none of them gets crowded out if time runs short. The first layer is the together images — the shots that only exist because these two babies shared a womb and are now, for the first time, sharing the outside world. These are the wrapped-together poses, the curled-against-each-other set-ups, the tiny hand resting on a tiny sibling's chest. They are usually the images parents describe as the ones they did not know they needed until they saw them.
The second layer is the individual portrait of each baby on their own. This matters more than people often expect going into the session. Twins spend their entire early life being referred to, photographed, and thought of as a unit, and there is real value in each child having a set of newborn portraits that belong to them alone — their own face, their own fingers, their own particular newborn expression, with nothing to compare or contrast against. Parents frequently tell me afterwards that the individual portraits are the ones that end up framed separately in each child's room.
The third layer is the family layer — parents with both twins, and any older siblings included as well if there are any. Twins change the shape of a family in a way that is worth documenting properly: the sheer logistics of who is holding whom, the exhausted joy of the early weeks, an older sibling working out what it means to suddenly have two babies in the house rather than one. These images tend to become the ones that best capture what that particular period of life actually felt like, beyond the posed newborn set-ups.
Newborn sessions generally work best in the first one to two weeks of life, while babies are still deeply sleepy and naturally curl into the tucked, compact positions that make classic newborn poses possible. With twins, timing needs a little more flexibility built in from the start. Twin pregnancies frequently deliver earlier than singleton pregnancies, sometimes by several weeks, so I always ask expectant parents of twins to get in touch during the second trimester rather than waiting until the third, so we can pencil in a provisional date and stay in contact as the due date approaches.
Because delivery timing with twins is less predictable, I keep the days immediately after a provisional date flexible and ask parents to confirm the actual session date once the babies have arrived and once I have a sense of their feeding pattern and settledness. If one or both babies spent any time in special care after birth, we simply push the session back until they are home, feeding well, and both parents feel ready — there is no fixed cut-off, and a slightly later twins session with two calm, settled babies produces far better images than an earlier one attempted while everyone is still finding their feet.
A newborn twins session typically takes noticeably longer than a single-baby session, simply because of the additional feeds, settling periods, and position changes that two babies require. I build the morning around the babies rather than around a fixed shot list. Usually one baby is settled and photographed first — often whichever one is most content at the start — while the other feeds or is soothed by a parent nearby. Once the first baby is settled into position, we work through their individual portraits and, if the second baby is ready, move into the together poses.
The studio is kept warm throughout, since newborns settle far more easily and stay in the deep, relaxed sleep needed for posed images when the room is genuinely warm rather than just comfortable by adult standards. I build in generous breaks for feeding and nappy changes, and I never attempt to hurry a baby who is unsettled into a pose purely to keep to time. With twins in particular, patience is the entire method — the images that look effortlessly peaceful are almost always the result of waiting for the right moment rather than forcing it.
Parents are welcome, and genuinely encouraged, to be closely involved throughout — holding, soothing, and settling their babies between set-ups. Having both parents present is particularly useful with twins, since it usually means one baby can be attended to while the other is being photographed, which keeps the whole session calmer and less pressured than trying to manage two newborns with only one adult free at a time.
Planning ahead for twins
Because twins often arrive earlier than expected, it is worth getting in touch during pregnancy to pencil in a provisional date rather than waiting until after the birth.
Enquire about a newborn twins sessionA little preparation goes a long way with any newborn session, and with twins it matters even more, simply because there is less margin for last-minute scrambling with two babies to manage. I ask parents to try to arrange the last feed before travelling so babies arrive at the studio settled rather than overtired, though with twins this is more of an aspiration than a strict rule — feeding two newborns to a synchronised schedule is rarely realistic, and I plan the session structure assuming it will not happen.
Bringing an extra layer or two of clothing for both babies is worth doing, since the studio itself is kept warm but the journey there and back may not be. A simple, neutral colour palette across whatever outfits, wraps, and blankets are used tends to photograph better than a mix of bold patterns, particularly in images where both babies appear together — it keeps the focus on the babies rather than on competing prints. If there are meaningful family items — a blanket that has been in the family for generations, matching outfits, or something knitted by a grandparent — bringing them along adds a layer of personal detail that generic studio props cannot replicate.
Finally, and perhaps most importantly: come with flexible expectations about how the morning will unfold. Sessions with twins rarely go entirely to plan, and that is completely normal. A baby who needs an unplanned feed halfway through, or who simply is not settling into a particular pose, is not a problem to solve quickly but a completely ordinary part of photographing two newborns in one sitting. The best twins sessions I have shot are the ones where everyone, myself included, simply let the morning take the shape the babies needed it to take.
After the session, images go through a careful editing process before being delivered via an online gallery, from which prints, wall art, and albums can be ordered directly. Because a twins session naturally produces more images than a single-baby session — individual portraits of each baby as well as the together and family images — the final curated set tends to be larger too, giving you a genuinely complete record of that first fortnight rather than a handful of matching shots.
Many parents of twins choose to order a set of individual prints for each child's own room alongside a larger together piece for a shared or family space, which reflects nicely the way the whole session is planned — celebrating the twins as two complete individuals as well as the singular, remarkable fact of their arrival together.
Newborn twins sessions ask for more time, more patience, and more flexibility than almost any other kind of photography I do — and they reward that investment with images that families tell me they return to again and again in the years that follow. If you are expecting twins, or have recently welcomed them into the world, I would love to talk through how a session could work for your family. Get in touch and we can start planning a date around your due date, or your babies' arrival, whichever suits where you are right now.
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Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Newborn and baby sessions with Yana Skakun take place in the comfort of your own home — unhurried, led entirely by your baby's timings, and focused on the quiet intimacy of those first weeks. Sessions are available across Cambridge and the wider East of England. This guide — Newborn Twins Photography: Capturing Double the Wonder — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for newborn twins photography uk or twins baby photographer cambridge, the same care and attention shapes every session Yana photographs.
Newborn & Baby Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about twin newborn session uk, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
The ideal window is 5–14 days after birth. At this stage, babies sleep deeply and curl naturally into gentle poses. After 3 weeks, they become more alert and less likely to sleep through a session. However, lifestyle newborn sessions (awake, at home) work beautifully at any age up to 3 months.
A professional newborn photographer is trained in safe posing techniques. All composite poses (baby appearing to support their own weight) are achieved through careful post-processing — the baby is always fully supported. Sessions are kept warm (babies need to be comfortable), and only experienced photographers should attempt posed newborn work.
Newborn sessions typically take 2–4 hours. The pace is entirely led by the baby — time is built in for feeding, settling, and nappy changes. There's no rushing. Lifestyle sessions, which are more relaxed and home-based, usually take 1.5–2 hours.
Soft, neutral tones work beautifully — cream, blush, grey, and muted earth tones keep the focus on the baby. Avoid bold patterns and logos. Comfort is important: parents should feel relaxed and natural in their outfits. Your photographer may send a styling guide in advance.
Yes — sibling images are among the most treasured photos families have. Plan for a sibling session at the beginning, when children are freshest and most cooperative. Keep their involvement short and positive, and have another adult present to manage them while the photographer focuses on the newborn.
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