Yana Skakun
Yana Skakun

One of the questions I am asked most often by couples, families, and clients travelling into Cambridge for a session is some version of "where should we actually go?" It is a fair question. Cambridge is a small city with an unusually high concentration of beautiful backdrops packed into a few square miles — college architecture, riverside meadows, ancient commons, and within a short drive, chalk hills and National Trust parkland that could just as easily belong to a different county entirely. After several years photographing weddings, engagements, families, and portraits across this part of Cambridgeshire, I have a fairly settled list of locations I return to again and again, each for a different reason, each suited to a different kind of session and time of year. This guide is that list, with the practical detail I would actually give a client planning a session.
There is a reason the Backs appear on almost every postcard of Cambridge ever printed. The stretch of the River Cam running behind King's, Clare, Trinity, and Queens' colleges is genuinely one of the most photogenic pieces of townscape in England — honey-coloured stone, punts drifting past, weeping willows trailing into still water, and the kind of architectural backdrop that makes any portrait look considered and timeless rather than generic. It photographs beautifully in every season, but it is at its most magical in early morning light before the tourist crowds and punt traffic build up, and again in spring when the blossom comes out along the riverbank and softens the whole scene.
The practical challenge with the Backs is exactly that popularity. By mid-morning on a good-weather weekend, the towpaths are busy with tourists, students, and punting tours, and getting a clean, uncrowded frame becomes a matter of patience and timing rather than luck. For portrait and engagement sessions here I almost always recommend an early start — before nine in the morning, ideally — when the light is soft, the crowds have not arrived, and the colleges themselves have a kind of stillness that simply is not there later in the day. For couples wanting a genuinely iconic Cambridge image, this is still the location I suggest first.
A gentle half-hour walk along the river from the city centre, or a quick cycle if you would rather save your legs for the session itself, Grantchester Meadows is the location I send couples to when they want something softer and more rural than the college backdrop but still within easy reach of central Cambridge. Wildflower grasses, the old mill pond, ancient orchard trees, and open riverside paths give it a completely different character to the Backs — less architectural grandeur, more relaxed English countryside. The Orchard tea garden nearby, where generations of Cambridge students and academics have taken tea under the apple trees, adds a lovely option for a relaxed start or finish to a session.
Grantchester is at its best from late spring through summer, when the meadow grasses are tall and the wildflowers are out, though it has a quieter beauty in early autumn too, before the grass is cut back for winter. It is a particular favourite for engagement sessions and for families with slightly older children who can happily walk the distance and enjoy exploring along the riverbank rather than needing to be carried or wheeled the whole way.
For clients who want a genuinely central Cambridge location without the crowds of the Backs, Jesus Green and the adjoining Midsummer Common are consistently underrated. These are wide, open riverside greens right in the city, with towpaths, mature trees, and enough space that you are never boxed in by other people's sessions or photographs. The avenue of lime trees on Jesus Green in particular is dramatic in a way that surprises people who have not seen it — a long, arching, cathedral-like canopy that works beautifully for walking shots, for golden-hour couple portraits, and for family sessions where you want the children to have room to run rather than being confined to a narrow towpath.
Because these greens are used by local dog walkers, joggers, and picnicking students rather than tour groups, they tend to feel calmer and less self-conscious than the more famous locations, even on a busy day. I often use Jesus Green as a fallback or an addition for couples who want both the iconic Backs shot and something a little more relaxed and candid within the same session, since the two locations are only a short walk apart.
A short drive south of the city on the Gog Magog Hills, Wandlebury is an ancient chalk ring fort surrounded by mature woodland, wildflower meadows, and elevated views back across Cambridge and the surrounding countryside. It is genuinely beautiful in every season — bluebells carpeting the woodland floor in May, deep green shade through high summer, golden bracken and turning beech leaves in autumn, and a stark, atmospheric beauty in winter when the trees are bare and the light is low. Because it is set slightly apart from the city, it also offers something the central locations cannot: genuine quiet and a real sense of countryside, useful for families or couples who want their photographs to feel unhurried rather than urban.
Wandlebury has good, accessible parking and wide paths, which makes it a practical choice for families with buggies or with children who tire easily, unlike some of the more remote countryside locations further out. I use it regularly for both portrait sessions and for the more relaxed, walking-based part of wedding day coverage when a couple wants a countryside setting without travelling far from the city on the day itself.
For sessions with a grander, more designed landscape, Wimpole is the National Trust's largest estate in Cambridgeshire and one of my favourite locations for engagement shoots and family sessions where clients want real scale and variety within a single visit. The parkland, laid out by Capability Brown, has sweeping tree-lined avenues, a folly tower on the hillside, a working Home Farm with animals that children in particular tend to love, and long open vistas that give a session real breathing room. Because the estate is large, it is possible to move between several genuinely different backdrops — formal garden, open parkland, farm buildings, woodland edge — within the same session without ever feeling repetitive.
Wimpole does require a little more planning than the closer-in locations, since it involves entry arrangements and a drive out from Cambridge, but for clients who want something that feels properly grand and a little different from the standard Cambridge shots, it is well worth the extra travel.
Not sure which location suits your session?
I shoot across all of these Cambridge and Cambridgeshire locations regularly and know which ones suit which season, time of day, and type of session. Tell me a little about what you have in mind and I will suggest the right spot.
Get in touch about your sessionBeyond the main five, there is a handful of smaller locations I use often enough that they deserve a mention. Cherry Hinton Hall Park, on the eastern edge of the city, has a lovely walled rose garden and gentle open parkland that works particularly well for families with young children who need space to wander without a long journey out of Cambridge. The University Botanic Garden, near the station, has an outstanding year-round collection of specimen trees and planting, though it is worth knowing that photography sessions there require prior arrangement with the garden itself rather than simply turning up. Newnham Riverside Walk, just along from the Backs but away from the punting traffic, offers a quieter, willow-lined stretch of the Cam that photographs just as beautifully with a fraction of the crowds. And for clients happy to travel a little further, Ely, about thirty minutes north, has a riverside setting with the Cathedral rising above it that has a scale and drama genuinely different from anywhere closer to Cambridge.
Each of these locations photographs differently depending on the time of day and the season, and part of what I do before any outdoor session is match the location to the light, the weather, and what the client actually wants from their images — whether that is an unmistakably Cambridge backdrop, a soft rural feel, or somewhere quieter and more personal. If you are planning an engagement shoot, a family session, or portraits somewhere outdoors in or around Cambridge and would like a recommendation based on your dates and what you are hoping for, get in touch and I will help you choose the location that will work best.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, specialising in wedding, family, and portrait photography across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Best Outdoor Photography Locations in Cambridge (2026) — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for photo locations cambridge or where to take photos cambridge, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about best photography spots cambridge, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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