Yana Skakun
Yana Skakun

Wicken Fen is the oldest nature reserve in the National Trust portfolio — a fragment of the ancient wetland that once covered most of Cambridgeshire before the great drainage works of the seventeenth century turned the surrounding fen into arable farmland. For photography, it offers something genuinely rare: wilderness within easy reach of Cambridge city centre, without a car park, a formal garden, or a manicured lawn in sight. I have been photographing couples, families, and portrait sittings at Wicken Fen for several years now, and it remains one of the locations I recommend most often to anyone who wants their photographs to look and feel unmistakably different from the usual venue circuit.
Most Cambridgeshire portrait locations fall into one of two categories: manicured college grounds and gardens, or managed parkland with clipped paths and formal planting. Wicken Fen is neither. It is a working, actively managed wetland, but the management is ecological rather than ornamental, and the result is a landscape that looks genuinely wild — tall sedge and reed moving in the wind, open water catching the sky, and a horizon so flat and uninterrupted that the light seems to come from everywhere at once. That open, reflected quality of light is the single biggest reason I bring couples here. On a clear evening the whole fen can take on a soft gold cast that is very difficult to find anywhere else in the county.
The scale of the place also does something useful for portraits. Because the fen stretches out to a genuinely distant horizon in most directions, it is easy to place a couple or a family group so that they are the only human-scale element in the frame, with nothing but sedge, sky, and water behind them. That sense of space and quiet reads immediately in the final images, and it is a look that simply is not available in a garden or a courtyard, however pretty the flowers are.
The reserve is a mosaic of sedge fen, wet woodland, open water, and reed bed, connected by a network of boardwalks and gravel paths that loop through different habitats without ever requiring difficult terrain. The light at Wicken changes noticeably through the day in a way that is worth planning around. Early morning light comes in low and often slightly diffused by mist rising off the water and the wet ground, giving images a soft, almost monochrome quality before the sun has properly cleared the horizon. By mid-morning the light sharpens and the colours of the sedge and reed become much more distinct — golden brown in autumn and winter, vivid green through spring and early summer. In the last hour before sunset the whole fen can turn a deep amber, with the reed heads catching the light and glowing almost individually.
Because there is so little tree cover across most of the open fen, the sky itself becomes a major part of every composition. A dramatic sky — layered cloud, a clearing storm, or a wide clean sunset — does more work at Wicken than it would anywhere with a tighter, more enclosed feel. I keep half an eye on the weather forecast for interesting cloud when I am scheduling a fen session, because the difference between a flat grey sky and a textured one changes the whole character of the images.
Wicken Fen supports a genuinely impressive range of wildlife across the seasons, and while I never plan a session around guaranteed sightings, the presence of that wildlife shapes the atmosphere of the place in a way that comes through in photographs even when nothing dramatic happens to fly past. In summer the fen is alive with dragonflies and damselflies over the open water and along the lode margins. Barn owls and short-eared owls quarter the rough fen edges at dusk, and marsh harriers are a fairly regular sight drifting low over the reed beds, especially in the cooler months. Konik ponies and Highland cattle graze parts of the open fen as part of the reserve's conservation grazing programme, and they add an unexpected, almost primeval element to the landscape when they appear in the middle distance of a photograph.
For couples who love the outdoors, or who simply want their engagement or anniversary photographs to feel like they belong to a real place rather than a styled set, that living backdrop matters. A pair of swans moving across still water, reed heads bending in a breeze, or simply the birdsong that fills the fen at dawn all contribute to photographs that feel unmistakably of this landscape, and that is very hard to fake or replicate in a studio or a garden.
The raised boardwalk that carries visitors through the heart of the sedge fen is one of my favourite compositional tools anywhere in Cambridgeshire. It gives a clean, strong leading line running off towards the horizon, which works beautifully for walking shots of couples moving away from or towards the camera, and it also lifts subjects just enough above the surrounding vegetation that tall sedge and reed can be used to frame rather than obscure them. The timber itself is dark and weathered, and against the pale gold of the sedge in autumn or the green of early summer it adds a genuine texture and warmth to the foreground of an image.
Away from the main boardwalk loop, some of the drier gravel paths cut through patches of wet woodland — alder and willow carr — which gives a useful contrast within a single session. A couple can move from the huge open skies of the sedge fen into a more intimate, enclosed woodland setting within a fifteen-minute walk, which means a single Wicken Fen session can cover two quite different visual moods without ever leaving the reserve.
Wicken Lode, the navigable drainage channel running along the southern edge of the reserve, is worth building a session around in its own right. The water is generally calm, which means good reflections on a still morning, and the towpath alongside it gives an easy, flat walking route through the fen margin with reed and willow along the banks. The lode is accessible from Wicken village and connects onward to Burwell Lode and the wider Cambridgeshire lode network, which was once used to move sedge, reed, and peat out of the fen by barge. Early morning at the lode, with mist sitting on the water and the fen opening out behind it, consistently produces some of the most atmospheric images I take anywhere in the county — quiet, still, and completely uncrowded.
Planning a fen session around the light
Wicken Fen rewards early starts and late finishes far more than the middle of the day. If you are considering an engagement, anniversary, or family session here, I am happy to talk through timing against sunrise and sunset for your preferred month before we settle on a date.
Get in touch about a Wicken Fen sessionWicken Fen is managed by the National Trust and has a visitor centre with parking and facilities on site; an entry fee applies for non-members, and National Trust membership covers free entry if you already hold it. The reserve is open year-round, and each season has something genuinely different to offer — misty stillness in winter, fresh green growth and birdsong in spring, tall sedge and dragonflies through summer, and the fen turning gold and amber through autumn. For photography sessions I generally recommend arriving as close to opening time as possible, or in the final hour or two before closing, both to make the most of soft directional light and to have the boardwalks largely to yourselves. The fen receives noticeably fewer visitors early and late in the day compared with the middle of the afternoon, and far fewer than a comparable session in central Ely or Cambridge would encounter.
Underfoot conditions vary a good deal by season. The main boardwalk stays solid and dry in all weather, but some of the gravel paths through the woodland sections can be soft and muddy after rain, so sturdy flat shoes or boots are the sensible choice for everyone in the group, whatever the forecast looks like on the day. Neutral, warm-toned clothing works best against the sedge and reed backdrop — cream, camel, olive, rust, and soft denim all sit comfortably within the palette of the fen, while very bright colours or bold patterns tend to pull the eye away from faces and fight with the landscape rather than complementing it. A light jacket or coat is worth having to hand even in summer, since the open fen can be breezier and a few degrees cooler than the sheltered streets of Cambridge.
Wicken Fen tends to suit couples and families who already have some connection to the outdoors, or who simply want photographs that look and feel distinct from the usual run of Cambridgeshire portrait locations. It works particularly well for engagement sessions ahead of a wedding, for couples who met or fell in love somewhere similarly wild, and for nature-minded families who want portraits that reflect time spent outdoors together rather than a formal, posed sitting. It is less suited to sessions requiring step-free access throughout, since some of the more atmospheric spots along the lode and woodland paths involve uneven ground, so it is always worth discussing specific mobility needs with me in advance so we can plan a route around the fen that works comfortably for everyone involved.
Wicken Fen is not a conventional portrait location, and that is exactly its appeal — a genuinely wild landscape, shaped by centuries of history, sitting quietly just beyond the edge of Cambridge and largely overlooked by anyone not specifically looking for it. If the idea of engagement or family photographs against open sky, reed, and still water appeals to you, get in touch and I will talk you through the best time of year and time of day for the mood you have in mind.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, specialising in wedding, family, and portrait photography across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Wicken Fen Photography: Dramatic Landscapes for Engagement Shoots — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for wicken fen photos or fenland engagement photography, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about wicken fen engagement session, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
Continue Reading

Photography Tips
5 min read · Read Article

Photography Tips
5 min read · Read Article

Photography Tips
5 min read · Read Article
Get in Touch
Get in touch to discuss your vision — I'll reply within 24 hours.