Yana Skakun
Yana Skakun

Fine art wedding photography at the world's most extraordinary venues — Lake Como, Tuscany, Provence, Amalfi, Santorini and beyond. UK-based, worldwide travel.
Destination weddings require a different category of photographer. Not simply someone willing to get on a plane — but a photographer who understands that the creative vocabulary of Mediterranean light, Italian architectural grandeur and European summer colour is fundamentally different from the UK wedding environment. The editing, the composition, the pacing and the technical approach all change with the setting.
When you choose a destination as extraordinary as Villa Balbianello on Lake Como, or the caldera edge in Santorini, or the Terrace of Infinity at Villa Cimbrone in Ravello — the photography must rise to equal the setting. Editorial quality. Considered composition. Post-production calibrated specifically to the light quality and colour environment of each destination.
Travel costs for European destinations are considerably lower than most couples expect — typically £800–£1,400 all-in for flights and accommodation, itemised separately from the photography fee. The result is destination coverage at a transparent, predictable total cost.
Six of Europe's most extraordinary wedding settings — and the photography they produce.
Villa Balbianello & the Como shores
Villa del Balbianello on the Lavedo peninsula — the most photographed wedding venue in Italy and one of the most dramatically composed settings in the world. The combination of the loggia's stone balustrades, the terraced gardens descending to the lake, and the snow-capped Alps visible on clear days creates something that no UK venue approximates. The golden hour on Lake Como is extraordinary.
Castello di Rosciano, Borgo San Felice, the Chianti hills
The cypress-lined drives of Tuscany are as iconic as any Italian wedding image — and they are available only in a very specific part of the world. The Chianti hills between Florence and Siena, the hilltop towns of Montalcino and Montepulciano, the medieval castle hotels of the Val d'Orcia: Tuscany offers an environmental richness that is unmatched in warmth-of-tone destination photography.
Château La Coste, Abbaye de Talloires — Luberon and Alpilles
The lavender fields of the Luberon, the bleached stone of the Alpilles, the deep blue of a Provençal summer sky — Provence in late June and early July is one of the most distinctive photographic environments in Europe. The dry light quality is fundamentally different from northern European or UK photography: harder, warmer, and producing colours of a particular richness.
Ravello, Villa Cimbrone — the Sorrentine Peninsula
The Terrace of Infinity at Villa Cimbrone in Ravello — the garden's stone balustrade looking south over the Tyrrhenian Sea to the horizon — is one of the world's great wedding portrait settings. The combination of the vertiginous coastal landscape, the Mediterranean light, the flowering lemon terraces and the colour of the sea below creates a visual intensity rarely matched.
Imerovigli caldera, Oia blue domes — the Cyclades
The caldera sunset at Santorini is a global cliché precisely because it is genuinely extraordinary — the blue domes against an orange and pink sky, the white-washed village balanced on the volcanic cliff edge, the Aegean 300 metres below. The best Santorini wedding photography uses the cliff setting and the sunset as the primary environment, not just a backdrop.
Private hôtels particuliers, Château de Vaux-le-Vicomte, Versailles orangery
The French capital's wedding settings range from private Marais hôtels particuliers (18th-century private mansions available for exclusive hire) through to Vaux-le-Vicomte, the château that inspired Versailles, with its formal Le Nôtre gardens. Paris adds an urban elegance to destination photography that Italian countryside settings don't provide — the architectural backdrop is the world's most photogenic city.
Photography fee as below — travel and accommodation quoted transparently and itemised separately.
£1,395
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£2,395
£3,495
Destination wedding photography is judged against an international editorial standard — the light, the setting and the post-production all need to match the scale of the venue. The editing approach for a Lake Como wedding is fundamentally different from a wet Saturday in Surrey, and the technical and artistic toolkit adapts accordingly.
Southern European light — Provençal, Italian, Greek — has a warmth, hardness and colour saturation qualitatively different from northern light. Understanding how to photograph in direct Mediterranean sun (softer diffusion positioning, shaded settings identification, timing the golden hour precisely) is a distinct skill from UK wedding photography in overcast conditions.
Italian, French and Greek wedding venues have specific photography permit requirements, particularly at historic sites (FAI-protected properties in Italy, Monuments Historiques in France). Hotel and castle venues also have internally restricted photography zones. All permit and access logistics are managed by the photographer as part of the service.
On Premium bookings, a pre-wedding visit to the destination venue is standard — assessing the light at the specific time of year, identifying the strongest portrait locations, understanding the logistics of the ceremony layout and the movement of guests around the setting. This investment in preparation transforms the on-the-day coverage.
Destination wedding galleries are delivered to an editorial fine art standard — the colour grading, the warmth balance, the tonal approach all calibrated to the specific environment. A Lake Como gallery should feel entirely different from a Santorini gallery, which should feel different again from a Tuscan hill farm. The editing is destination-specific, not a single preset applied universally.
Based in the UK with easy access to European destinations — Paris is 2.5 hours by Eurostar, Italy and Greece by direct flight. All European destinations covered. Travel and accommodation costs are quoted transparently in advance, itemised separately from photography fees. Long-haul destinations (Caribbean, USA, Asia) covered on request.
The photography fee structure remains the same — Essential, Full Day and Premium as listed. Travel and accommodation costs are added transparently and itemised separately. For a European destination (Paris, Italy, Greece): flights, accommodation for 2 nights, and ground transfers typically add £800–£1,400 depending on destination and season. This is considerably less than most couples expect when they first enquire. Long-haul destinations are priced individually on request.
Lake Como in June–September, hands down, for the combination of architectural grandeur, alpine backdrop and extraordinary golden-hour light on the water. Villa del Balbianello is arguably the most photographically potent wedding venue in the world. Tuscany in May offers a close second — the lush pre-summer Chianti hills before the July heat turns the grass brown. Santorini at the caldera in July–August for pure atmospheric drama. Provence in late June for the lavender in full bloom with a warm, dry summer sky behind it.
Yes — Italian FAI venues (Fondo per l'Ambiente Italiano) have specific photography agreements for weddings held at their properties, which are arranged through the venue as part of the booking process. The permit covers wedding photography using standard equipment (no drones, no stands above a certain height in some locations). These requirements are all standard and managed as part of the pre-wedding administration.
Absolutely — in fact, helping couples narrow down their destination based on their aesthetic preferences, their guest size, their budget range and their preferred time of year is a useful part of an early consultation. A couple who wants the photographs to feel very Italian and golden should consider Tuscany or Lake Como. A couple who wants the colour drama of Greece should go to Santorini. A couple who wants European elegance without the sun should consider Paris or Vienna.
Late May to early October. June and September are my personal recommendations — June for the lushly planted gardens at their freshest and the lake at its bluest before high-summer haze, September for fewer crowds, the same quality of light, and the slightly cooler air that makes for far more comfortable couple portraits. July and August are peak season at every Lake Como venue and combine heat, crowds and higher venue pricing without any photographic benefit over June or September.
Whether you are decided on Lake Como or still choosing between Tuscany and Santorini — get in touch to discuss destination wedding photography and what is possible at your venue.
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