Yana Skakun
Yana Skakun
Weddings / Ceremony
The vows. The rings. The first kiss. The moments that define your wedding day, documented without interference.
Approach
Some photographers position themselves at the front, move constantly, and use flash throughout the ceremony. The result is technically sharp photographs of people aware they're being photographed.
My approach is the opposite. I use long lenses, available light, and as little movement as possible. The aim is to be invisible enough that people forget I'm there — and to capture the moments as they actually happened.
Ceremony photographs taken this way have a quality that no amount of posing can replicate: they're genuine.
The processional
The walk down the aisle — whether it's 30 guests or 300, I position myself to capture the bride's face, the groom's reaction, and the room in one frame.
Exchange of vows
The words that matter most. I stay silent and still during the vows, using a long lens to capture expressions up close without intruding on the moment.
Ring exchange
A close detail shot of the rings being placed, combined with portrait shots of both faces — the two most important photographs of the ceremony.
The first kiss
Shot from the front and side simultaneously. Always a clean, clear image regardless of lighting conditions.
Signing the register
The legal moment — photographed with as much care as the ceremony itself, including the witnesses and family nearby.
The recessional
The walk back out as a married couple. Confetti, applause, and pure joy — some of the most dynamic images of the whole day.
Church ceremonies
Beautiful light, architectural grandeur, and emotional depth. I know how to work with the dim, mixed lighting of traditional churches to produce beautifully exposed, natural images.
Civil registry ceremonies
Register offices and civil venues vary enormously. I visit the venue beforehand wherever possible, identify the best positions, and work seamlessly within any restrictions.
Licensed venue ceremonies
Hotels, country houses, barns, and estates — I've shot hundreds of ceremonies in all types of licensed venues across England.
Outdoor ceremonies
Garden ceremonies, woodland clearings, clifftop ceremonies — outdoor lighting is the most flattering of all, and I plan around the sun angle for every outdoor ceremony.
Destination ceremonies
Italy, France, Portugal, Greece — I travel internationally for ceremonies. All legal requirements and venue restrictions are discussed in advance.
Can you attend a pre-ceremony venue visit?
For notable or unusual venues, yes — I visit in advance (at no extra charge) to plan the lighting angles, restrictions, and best positions. For standard venues, a detailed phone consultation covers the same ground.
What if the venue has restrictions on movement during the ceremony?
Many religious venues restrict the photographer to a specific position or prohibit flash entirely. I work within all restrictions — good documentary photography doesn't require movement or flash.
Do you use flash during the ceremony?
Almost never. I shoot ceremonies with available light only. This is both less intrusive and often produces more beautiful, natural images. Exceptions are made only for extremely dark venues where there is genuinely no alternative.
How many photos will we receive from the ceremony?
Typically 80–150 photographs from a one-hour ceremony — edited and delivered as part of the full wedding gallery. The exact number depends on the ceremony type and venue.
Do I need a separate ceremony photographer?
No — ceremony photography is included within all full-day and half-day packages. If you only want ceremony coverage (no preparations or reception), that can be arranged as a standalone package from £450.
Send me your ceremony date and venue — I'll confirm availability and we can discuss your day in more detail.
Get in Touch
Tell me about your vision and I'll be in touch within 24 hours.