Yana Skakun
Yana Skakun

Ely Cathedral is one of the great Norman cathedrals of England, and it is unlike any other wedding backdrop I photograph in the East of England. The octagonal lantern tower — the famous Octagon — rises improbably above the flat fenland and is visible from miles away across the fields, which means that for a good part of the drive into Ely, the cathedral is already sitting on the horizon, growing larger, setting expectations. Couples who marry here, or who simply travel to Ely for their portrait session, are working with one of the most dramatic pieces of architecture available anywhere in the country. This guide covers what actually marrying inside the cathedral involves, the venues nearby that pair beautifully with an Ely wedding, where I go for the best photographs in the city, and the practical realities of photographing a wedding day built around this particular building.
Ely Cathedral is a working Church of England cathedral, and it does host weddings for couples with a qualifying connection to the parish — typically this means living in the parish, worshipping there regularly, or having a family connection recognised by the cathedral clergy. It is worth contacting the cathedral office directly and early, because the process of establishing eligibility and booking a date is more involved than booking a typical wedding venue, and dates at a building of this significance are understandably limited.
The nave alone is one of the longest in England, and standing at the west end looking down its full length towards the altar gives a genuine sense of scale that photographs struggle to fully convey but that I always try to capture regardless. The Octagon itself, replacing the original Norman crossing tower after its collapse in the fourteenth century, is the building's defining feature — an engineering marvel for its time and a space that floods with light from eight enormous windows set high above the crossing. Getting married beneath it is genuinely a different experience from any other wedding venue in the region.
Photography rules inside the cathedral are strict, and this is not something to treat as a minor administrative detail. There are restrictions on flash use during the service itself, restrictions on where a photographer can stand or move during the ceremony, and in some cases a requirement that the cathedral's own approved photographer or verger oversees photography access. I always discuss this directly with the cathedral office well in advance of the wedding day, confirm exactly what is and is not permitted, and build the shot list around those constraints rather than trying to work around them on the day. A cathedral wedding rewards a photographer who has done this preparation properly.
Not every couple marries inside the cathedral itself, and there is no need to — Ely has a genuinely good cluster of ceremony and reception venues within a few minutes' walk or a short drive, many of which offer direct views of the cathedral or sit within its historic precincts. These are the venues I photograph at most often around Ely.
Most of these venues work well as a pairing — a ceremony or drinks reception a short walk from the Cathedral, followed by a portrait session that makes use of the building itself, before moving on to the reception venue for the evening. Ely is compact enough that this kind of route around the city is genuinely practical rather than aspirational, even on a tight wedding-day timeline.
Even if a ceremony takes place elsewhere, a short visit into Ely for portrait photographs is, in my experience, always worth building into the day. The Cathedral's west front at golden hour is one of the most striking backdrops I use anywhere in the region — the honey-coloured stone catches the low evening sun and the twin west towers frame a couple beautifully from almost any angle on the green in front of them.
Palace Green, directly in front of the Cathedral, gives a clean, open backdrop with the full west tower rising behind the couple, and there is enough space to work with wide shots that show the scale of the building as well as tighter portraits. The Porta — the medieval gatehouse that frames the historic approach into the Cathedral precincts — is another location I return to again and again. The stone archway has genuinely beautiful proportions, and the light that falls through it in the late afternoon creates natural framing that needs almost no direction from me.
The riverside at Ely, a short walk down from the Cathedral towards the marina, is an excellent contrast to the grandeur of the building itself — reflections on the water, medieval and Georgian waterfront buildings, and a more relaxed, human scale that works well for softer, more candid portraits later in the day. I often move couples between the two settings within the same session: dramatic architectural portraits near the Cathedral, followed by quieter, warmer images by the water.
The Bishop's Palace gardens and the wider Cathedral park, when access allows, add another layer of greenery and open lawn that works particularly well for group and family photographs after the ceremony, where you need enough space to organise larger numbers of people without losing the Cathedral from the background entirely.
Planning a wedding around Ely Cathedral
Between eligibility for a cathedral ceremony, photography permissions, and choosing the right nearby venues, an Ely wedding benefits from planning well ahead of the day itself. I am happy to talk through timings and locations before you book anything.
Get in touch about an Ely weddingEly Cathedral's interior has low but genuinely beautiful natural light, particularly through the Octagon and along the nave where light from the clerestory windows falls in long, soft shafts across the stone floor. Flash photography inside is generally discouraged or restricted during services, and honestly I would not want to use it even where it is permitted — the atmosphere created by the cathedral's own available light is something artificial lighting will never replicate, and adding flash into a space like this tends to flatten exactly the quality that makes it special.
This does mean choosing a photographer who is genuinely comfortable working in low, available light without flash, using wider apertures and higher ISOs confidently, and understanding how to position a couple or a bridal party to make the most of the light that is naturally falling through the windows at any given moment. It is a different skill set from photographing a bright marquee reception, and it matters more in a building like this than almost anywhere else I work.
Timing also has a real effect on the interior light. Midday sun through the high windows can create strong, contrasty shafts of light that are dramatic but harder to balance in a portrait. Mid to late afternoon, particularly in the months either side of summer, tends to give a softer and more even quality throughout the nave and Octagon. Where the timeline allows some flexibility, I will always advocate for slotting the main portrait time in the cathedral itself into that later-afternoon window.
Ely is a small city and parking near the Cathedral is limited, particularly on a Saturday when the city itself may have other events on. If your wedding party is moving between a ceremony venue, the Cathedral precincts for photographs, and a reception venue outside the city, it is worth building in extra time for the transitions rather than assuming everything will run exactly to a printed schedule. Fenland roads are quick once you are on them, but getting in and out of central Ely itself can take longer than the map suggests.
Weather is also worth planning around sensibly. The fens are exposed and can be genuinely breezy even on a calm-looking day, which matters for veils, loose fabric, and anyone with an elaborate hairstyle. I always carry a shortlist of sheltered alternative spots near the main outdoor locations — under the Porta arch, within the Almonry gardens, or along the more sheltered stretches of the riverside — so that a session is never entirely at the mercy of an unexpected gust or shower.
If a cathedral ceremony is not available or not the right fit, many couples choose to marry at one of the nearby venues and simply build in a dedicated portrait slot in Ely itself, timed for the best light of the day. This gives you the freedom of a more flexible ceremony venue while still bringing home a set of images with the Cathedral as the backdrop — a combination that, in practice, a lot of my Ely couples end up choosing.
Ely Cathedral is a building that rewards patience, preparation, and a photographer who genuinely knows how to work within its light and its rules rather than fighting against them. I photograph regularly in Ely and know the Cathedral, its precincts, and the surrounding venues well enough to plan a realistic, unhurried route through the day that makes the most of all of it. If you are planning a wedding in or around Ely, get in touch and I will talk you through timings, locations, and what is genuinely possible given the Cathedral's photography rules.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun photographs weddings and portrait sessions at venues across Cambridge, East England, London, and beyond. Venue scouting and creative collaboration are part of every booking — every location is worked with rather than against. This guide — Getting Married Near Ely Cathedral: A Photographer's Guide — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for ely cathedral wedding or wedding photographer ely, the same care and attention shapes every session Yana photographs.
Wedding & Portrait Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about ely wedding venues, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
Look at the natural light at the time of day your ceremony will take place. Walk outside and consider where portraits will happen — is there an area with shade, a garden, a meaningful backdrop? Ask about vendor restrictions (some venues require you to use their preferred photographer list). Check logistics: where do guests park, where does the bridal party get ready, is there a bridal suite?
Popular venues book 18–24 months ahead, especially for peak season (May–September) Saturdays. If you're flexible on date and day of week, 12 months is usually sufficient. Always view a venue before booking — photos online rarely show the full picture of scale, light, or atmosphere.
Ask: what's included in the venue hire? Can you bring your own caterer? What are the noise restrictions and finishing times? Is there accommodation on site? What's the plan if it rains for outdoor ceremonies? What is the minimum and maximum guest capacity? Are there any vendor restrictions or preferred supplier lists?
Venue architecture, grounds, and natural light dramatically affect the quality of wedding photography. Beautiful venues with varied backdrops, good natural light in the key rooms, and outdoor space for portraits make the photographer's job much easier. When choosing a venue, visiting at the same time of day as your planned ceremony is helpful for assessing the light.
Natural light (large windows, north-facing rooms), textured backgrounds (stone walls, wooden beams, floral arrangements), varied outdoor spaces (gardens, courtyards, woodland, water features), and interesting architectural details. Venues that feel authentic to their setting — a barn that's actually rustic, a manor house with period features — photograph better than generic white box venues.
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