Yana Skakun
Yana Skakun

Portraits, family and engagement photography on England's finest stretch of undeveloped coastline — Holkham's vast sands, Wells beach huts, Blakeney Point and the violet-lavender saltmarshes of Stiffkey.
Norfolk Coast AONB — 45 Miles of Wonder
The Norfolk Coast is one of the most photographically compelling landscapes in Britain. Fifty miles of north-facing shoreline — where the sky is immense, the light changes by the hour, and the boundary between land and sea is blurred by acres of saltmarsh, mudflat, tidal creek and sand dune. The Area of Outstanding Natural Beauty designation (bestowed 1968) protects this landscape from development in ways that few English coastlines have been so comprehensively shielded.
Holkham Beach, accessible through the pinewoods planted by Thomas Coke, 1st Earl of Leicester in the late 18th century, is the finest beach in East Anglia — broad, pale-sanded, pinewood-backed, facing north so that the light at golden hour sweeps in from the west across the water. Wells-next-the-Sea beach huts. Blakeney's flint hovels and vast grey seal colony. The Cley windmill above the reed beds. Burnham Overy Staithe where the sailing boats dry out at low tide in a labyrinth of channels. This coast has been beloved by artists, writers and families for generations.
I work extensively on the north Norfolk coast throughout the year — knowing when the sea lavender blooms at Stiffkey (peak second and third weeks of July), when the seals pup at Blakeney (December–January), which tides open which beaches and how the light changes through the seasons. A session here is never just photographs. It is a day on a coast that lodges itself in the memory in ways that photographs are then needed to confirm really happened.
Where We Shoot
Arguably England's finest beach — a mile-wide expanse of pale sand sheltered behind a dense curtain of Corsican pines planted by the 1st Earl of Leicester in the 18th century. The pinewood walk down to the sand, then the extraordinary reveal of the beach at the treeline, is one of the great English landscape experiences. Featured in the closing scene of Shakespeare in Love (1998).
The brightly painted timber beach huts at Wells-next-the-Sea are among the most photographed on the East Anglian coast. They line the long beach road causeway and provide vivid colour contrasts against blue sky and sand. The tidal harbour behind the town has working crab boats, a lifeboat station and beautiful reflections at low tide.
Blakeney Point is a four-mile shingle spit (National Trust) supporting the largest grey seal colony in England — over 2,000 pups are born here each winter. Blakeney village itself is quintessential north Norfolk: flint cottages, a 13th-century parish church and a medieval guildhall. The quayside at high tide provides exceptional portrait settings.
The iconic Cley windmill — a Grade I listed 18th-century tower mill now operating as a bed and breakfast — stands above the coastal marshes just outside Cley village. The marshes themselves (RSPB reserve) offer extraordinary light at dawn and dusk. The flint-cobbled village high street has genuine character.
A tiny, perfectly preserved tidal-creek harbour where small sailing boats sit at their moorings on a maze of creeks, channels and salt marsh. Burnham Overy Beach beyond the dunes (reached by boardwalk) is wide, quiet and often near-empty. Lord Nelson was born in nearby Burnham Thorpe — his portrait used to hang in the Lord Nelson pub in Burnham Thorpe.
The saltmarshes between Stiffkey and Morston are some of the most extensive on the East Anglian coast — sea lavender turns them violet-purple in July and August, a transformation that must be seen to be believed. Morston Quay is the departure point for seal-watching boat trips to Blakeney Point. The creeks, channels and mud flats gleam silver at low tide.

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Families, couples, portraits — let's plan your day on England's most beautiful stretch of North Sea coastline.