Yana Skakun
Yana Skakun
Cambridge · Monochrome Photography
Timeless, emotive monochrome photography — weddings, portraits, families and personal projects. Fine art black and white photography rooted in the documentary tradition.
About Black & White Photography
Black and white photography removes everything that is transient and leaves only what is permanent: light, shadow, form, expression, and the relationship between human beings. It is the most direct path from a moment to its emotional truth.
I am a Cambridge-based photographer with a deep affinity for monochrome work across all the categories I photograph — weddings, portraits, families, and architectural documentary. Many of the images I find most powerful from my own practice are the black and white ones, and I incorporate monochrome thoughtfully into every gallery I deliver.
I edit black and white photographs with care and intentionality — using the full range of tonal control available in digital processing to create images with the depth, contrast, and detail that fine art monochrome requires. My black and white work draws on the visual traditions of twentieth-century documentary photography.
The Medium
Black and white photographs do not age. Where colour photography can feel dated as fashions, décor and colour grading trends change over time, a monochrome photograph looks as relevant in thirty years as it does today. It is the format of permanence.
Colour carries information — information that can distract from the emotional content of an image. Remove colour and the viewer is drawn directly to the face, the expression, the connection between two people. Black and white photography strips an image to its essential emotional truth.
Without colour, light and shadow become the primary visual tool. The gradation from highlight to shadow, the texture of skin, the geometry of light falling across a wall — all of these become dominant in black and white in ways that colour obscures. It is the photographer's purest medium.
The greatest photographs in the history of photography — Henri Cartier-Bresson, Sebastião Salgado, Dorothea Lange, Robert Frank — are overwhelmingly monochrome. Black and white photography sits within a century-long tradition of photographic art that colour has never replaced.
What I Photograph
Many of the most powerful moments in a wedding — the first look, the ceremony exchange, the speech, the first dance — translate supremely into black and white. I identify these moments and convert selectively, creating a portfolio of monochrome images alongside the full colour gallery.
Learn more →Portrait photography in black and white is one of the oldest and most sophisticated photographic traditions. The removal of colour directs complete attention to character — structure, expression, depth. I offer dedicated monochrome portrait sessions for individuals, couples, and families.
Learn more →Black and white family photographs become heirlooms faster than colour equivalents. The image of a grandmother with a grandchild in monochrome is classic from the first day it is printed. I offer black and white options for all family sessions.
Learn more →Cambridge's extraordinary architecture — the colleges, the market, the river, the old streets — photographs magnificently in black and white. The stone, the shadow, the geometry of these buildings without colour becomes graphic and forceful in a way colour cannot achieve.
Learn more →Portfolio
Hover to see colour originals
Questions
Both — it depends entirely on what you want. For most weddings and family sessions, I deliver a primarily colour gallery with selected images edited in black and white where the image is stronger in monochrome. For clients who specifically want a black and white aesthetic, I can shoot with this intention throughout and deliver a primarily monochrome gallery. Please discuss your preferences at the time of booking and I will note them carefully.
I convert images to black and white when the emotional content is stronger without colour — typically when expression, texture, and light are the dominant elements of an image, and when colour would distract rather than add. Moments of intense emotion, strong directional light, architectural texture, and graphic compositions are all natural candidates for monochrome. I also consider whether the colour in an image is beautiful or merely informational — if it's the former, I keep it; if the latter, I often consider converting.
I shoot in RAW format which captures all colour information regardless of any in-camera monochrome setting. My black and white editing is done in post-processing using Lightroom and Silver Efex Pro, which allows me precise control over tone, contrast, shadow detail, and silver grain texture. This produces far superior monochrome results than straight in-camera conversion, and also preserves the original colour files for any future re-editing.
No — black and white processing is included within all standard packages as part of my general editing approach. I do not charge extra for monochrome conversions. For dedicated monochrome portrait sessions, the session fee is identical to a standard portrait session.
Black and white photographs print most beautifully on fine art matte papers — specifically archival cotton rag papers that hold shadow detail and render the full tonal range of a well-processed monochrome image. Gloss prints tend to look harsh in black and white. For albums, I recommend a matte or linen cover with true matte pages for monochrome images. I work with specialist print labs and can advise on specific products.
Yes — I offer dedicated monochrome portrait sessions, photographed specifically with black and white in mind: location scouted with light and texture for maximum monochrome impact, editing processed entirely as fine art black and white. These make extraordinary gifts, particularly for significant birthdays, anniversaries, or retirement. Sessions start at £195 for a 1-hour session and are photographed across Cambridge locations.
Book a Session
Tell me what you have in mind — a portrait, a wedding, a family session, or a creative project — and I'll come back to you within 24 hours.
Get in Touch
Tell me about your vision and I'll be in touch within 24 hours.