My Photography Style

Every photographer has a style — a particular way of seeing, of moving through a room, of choosing what to include and what to leave out. Mine developed gradually over years of shooting, but I can now describe it clearly: I make photographs that prioritise authenticity over perfection, feeling over technique, and timelessness over trend.

I work primarily in natural light. I find the beautiful light that already exists in any space — the window, the open door, the last rays of the afternoon sun — and I work within it. I don't use flash at receptions unless it's genuinely unavoidable. The warmth, the depth, and the mood of natural-light photography is irreplaceable, and it ages better than anything else.

My editing style is warm, natural and clean. I avoid the heavy presets — the orange-and-teal, the extreme fading, the moody darkness — that date photographs to a specific year. I aim for photographs that could have been made any time in the last twenty years, and will still look beautiful twenty years from now.