Yana Skakun
Yana Skakun
Lake Como has a way of making everyone slow down and look properly. I've photographed weddings across Cambridgeshire and Suffolk for years, and while I adore an English barn on a misty morning, there is nothing quite like that first sight of the lake folding into the mountains. If you're dreaming of an Italian celebration that feels like a film set, here are the ten venues I'd pack my cameras for, and exactly what makes each one sing in front of a lens.
The magic here is layers. You get the silver of the water, the deep green of the hills, the faded terracotta of old villas and, on a good evening, a golden light that drapes itself over everything. It's a gentler, warmer palette than I'm used to back home in the Fens, where the drama comes from huge skies and flat horizons. On the lake, the drama is intimacy: cypress avenues, stone balustrades and gardens that have been quietly perfected for two hundred years.
Light moves differently across the water too. Mornings are soft and a little hazy, midday can be punchy, and the hour before sunset is genuinely cinematic. I always plan a couple to step away for portraits in that last warm window, the same way I'd chase the golden light over a Suffolk wheat field, just with considerably grander surroundings.
Some venues here are famous for good reason. Villa del Balbianello, perched on its wooded headland near Lenno, is probably the most photographed spot on the lake, all loggias and manicured terraces dropping straight into the water. It's exclusive and not cheap, but the wraparound views mean you almost can't take a bad frame. Villa Erba and Villa Pizzo offer that same stately grandeur with a touch more space for larger guest lists.
Then there's Villa Balbiano in Ossuccio, the lavish, gilded estate you may recognise from films. It's opulent in a way that's almost theatrical, and brilliant for couples who want sweeping staircases and frescoed ceilings as their backdrop. My advice with the grand villas is to lean into the formality rather than fight it: structured portraits on the steps, a slow walk down a cypress avenue, the quiet moments that let the architecture breathe.
I'm often asked which spots actually deliver photographs people frame and keep. These are the ones I return to in my mind, each chosen for a specific reason rather than just its reputation.
Beyond those six, I'd add Villa Erba for big celebrations, Villa Pizzo for its cypress-lined terraces, Villa Carlotta for botanical gardens that peak in spring, and CastaDiva Resort for couples who want a polished, all-in-one stay. Ten venues, ten very different days — and every one of them gives a photographer something to work with.
If your heart is set on greenery rather than gilding, the lake's botanical gardens are a quiet gift. Villa Cipressi and Villa Carlotta have grounds that change character with the seasons — azaleas and camellias in spring, deep shade and dappled light in high summer. For couples who love the natural, slightly wild feel of an English country garden, these spots translate that mood into something altogether more Mediterranean.
I find these gardens give the most relaxed, candid pictures. There's room to wander, hidden corners for a stolen moment, and texture everywhere I point the lens. They suit couples who want their day to feel personal rather than staged, which, honestly, is most of the people who book me in the first place.
A destination wedding takes a little more organising than a marquee in the Cambridgeshire countryside, but it's very doable. Most couples I work with combine a small ceremony with a longer celebration weekend, flying out a few days early so everyone arrives unhurried. Late spring and early autumn give the kindest weather and softest light; high summer is glorious but warm, so build in shade and water for your guests.
Bringing a photographer who already knows your story is, I think, worth its weight in gold. We'll have met over coffee in Cambridge long before you're saying your vows above the water, so by the time we reach Como I already know how you laugh and when you'll well up. That familiarity is what turns a beautiful backdrop into photographs that actually feel like the two of you.
Dreaming of saying 'I do' above the water?
I'm a Cambridge-based wedding photographer who loves a journey, and Lake Como is one of my favourite places on earth to shoot. Let's talk through your venue and date before they're booked up.
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Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, covering weddings, families, and portraits across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Top 10 Wedding Venues in Lake Como for an Unforgettable Day — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for lake or como, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about wedding, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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