Yana Skakun
Yana Skakun
Same-sex marriage has been legal in England and Wales since March 2014, and in the decade since I've had the privilege of photographing dozens of LGBTQ+ couples across Cambridgeshire, Suffolk and beyond. The planning principles are largely the same as any wedding, but a handful of considerations are genuinely worth thinking about early. Here's what I've learned standing behind the camera at these celebrations.
Most UK venues will happily host a same-sex wedding, but "will" and "genuinely want to" are different things. When I'm recommending venues to couples around Cambridge, I look for places that already feature LGBTQ+ weddings in their own galleries rather than just stating they're "open to everyone". A barn in rural Suffolk that proudly displays two grooms on its homepage is telling you something a generic inclusivity statement cannot.
Practically, check whether the venue is licensed for civil ceremonies or whether you'll need a separate register office appointment. Religious same-sex marriage remains complicated in the UK: the Church of England does not currently conduct same-sex marriages, though some denominations such as the Quakers, Unitarians and Liberal Judaism do. If a faith element matters to you, raise it at the very first enquiry rather than assuming.
So much of the standard British wedding timeline assumes one bride and one groom: the father giving away the bride, the groom waiting at the altar, the bride getting ready alone while the groom arrives early. None of that has to apply to you, and the freedom is wonderful, but it does mean making active choices instead of defaulting to a script.
Will you both walk down the aisle, perhaps from opposite ends meeting in the middle? Will you arrive together, or get ready in the same space? I've photographed couples doing all of these, and the only wrong answer is the one chosen out of habit rather than desire. Whatever you decide, tell me in advance so I can position myself and any second shooter correctly. With two people arriving or two people prepping simultaneously, coverage logistics genuinely change.
Here are the things I talk through with every same-sex couple before the day, because getting them right is the difference between photos that feel like yours and photos that feel like a template was applied to you:
Beyond the photographer, vet your other suppliers for the same warmth. Florists, caterers, hair and make-up artists and bands all spend hours with you on the day, and you deserve people who are delighted to be there. A quick way to gauge this: ask suppliers directly whether they've worked same-sex weddings before and to show you examples. Confident, enthusiastic answers tell you everything.
On the practical front, remember you're marrying in Britain. If you're planning a Cambridgeshire or Suffolk wedding between late spring and early autumn, you'll get the longest light and the best odds with the weather, but a wet-weather plan is non-negotiable here whatever the season. I always scout indoor and covered options at every venue precisely because East Anglian skies change their mind without warning. Golden-hour portraits across a fenland field are stunning when they happen, but the backup matters just as much.
To marry in England or Wales you'll both need to give notice at your local register office at least 29 days before the wedding, and you must have lived in the relevant registration district for at least seven days beforehand. If either of you was previously in a civil partnership or marriage, bring the relevant dissolution or death documentation. Couples who entered a civil partnership before 2014 can also convert it to a marriage, which is a lovely, low-key option some of my clients have chosen.
None of this is unique to same-sex couples, but it's easy to deprioritise the paperwork when you're focused on flowers and seating plans. Sort the notice early so the legal side is settled long before I turn up with my cameras.
Planning a same-sex wedding in Cambridgeshire or further afield?
I'd love to hear about your day and help you tell your story exactly as it is. Get in touch and let's see if I have your date free.
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Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, covering weddings, families, and portraits across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Planning a Same-Sex Wedding in the UK: A Photographer's Guide — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for planning or same, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about sex, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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