Yana Skakun
Yana Skakun
I spend a lot of my time at weddings watching what happens after the formal moments are over — the bit nobody plans a timeline around. Guests wandering back to their tables after the speeches, picking up whatever has been left at their place setting, turning it over once, and either pocketing it or leaving it behind on the tablecloth when they head to the dance floor. As a photographer I end up photographing those table settings more than most couples realise, because a beautifully styled place card and favour combination photographs just as well as the flowers, and it is one of the few details a couple has complete creative control over. But I have also, over a decade of shooting weddings across Cambridgeshire and the wider UK, watched an awful lot of favours go straight in the venue bin the same night. Little organza bags of sugared almonds nobody eats. Miniature bottles of spirits nobody drinks on the night and nobody wants to carry home on the train. Personalised keyrings with a wedding date that meant everything to the couple and nothing at all to the guest holding it. Couples are increasingly telling me, as I photograph their table styling before doors open, that they want favours guests will actually keep or use, and ideally something that does not involve a skip full of plastic packaging the next morning. This is my honest, practical take on what actually works, drawn from years of watching favours succeed and fail in real time at real weddings.
Before getting to what works, it is worth being honest about why the traditional approach so often fails. Most conventional favours are chosen to be uniform, inexpensive per head, and easy to order in bulk — which are all reasonable constraints when you are catering for anywhere between sixty and two hundred guests, but they are constraints that work against usefulness. A favour that has to suit a table of people ranging from a nine-year-old bridesmaid's little brother to a seventy-year-old great-uncle is, almost by definition, going to suit nobody in particular. Sugared almonds are a lovely tradition symbolically, but a meaningful proportion of any UK wedding guest list simply will not eat them. Miniature alcohol favours assume everyone drinks, everyone likes that particular spirit, and everyone is happy carrying glass home on public transport or in hand luggage the next day.
There is also a packaging problem that has nothing to do with the favour itself. A single sugared almond or two, individually wrapped in cellophane, tied with ribbon, placed inside a printed organza bag, sitting on a printed place card — by the time you add it up, an enormous amount of single-use material has gone into presenting a tiny amount of actual content. Multiply that by a hundred and fifty guests and the packaging alone becomes a genuinely significant amount of waste for one evening's use, most of which is neither recyclable in a standard council collection nor compostable at home.
None of this is a criticism of couples who have chosen traditional favours in the past — it is simply the default that the wedding industry has offered for a long time, and defaults are powerful. The good news is that once you start looking at favours through the lens of "will this genuinely get used" rather than "does this look nice on the table for the two hours before the meal," a much better set of options opens up, and most of them cost roughly the same as the traditional route or less.
The single most reliable category of favour I see guests genuinely take home and consume, rather than abandon, is good food in simple, honest packaging. Locally made preserves — a small jar of jam, chutney, or honey — work extremely well because they are useful in a kitchen, they last for months, and a small glass jar is infinitely recyclable and often gets reused for something else entirely before it is ever recycled. The same is true of a small bag of good coffee beans or loose-leaf tea, which suits a much wider range of guests than alcohol and is something people are pleased to open the following weekend.
Seasonal and local sourcing matters here too. A jar of honey from a producer within the county, or preserves made with fruit that was actually in season locally, gives the favour a story that connects to the place the wedding happened, which is something guests notice and appreciate even if they could not articulate why. It also tends to mean less has travelled to reach your table, which fits the eco-friendly brief without you needing to make a single compromise on how nice the item actually is.
The packaging question for edible favours is where couples can make the biggest visible difference. Skip the cellophane and ribbon entirely and let a simple kraft paper label, tied with a length of natural jute twine or a scrap of dried grass, do the styling work instead. It photographs beautifully — rustic, warm, unfussy — and it means the entire favour, packaging included, is either recyclable, compostable, or reusable. I have styled dozens of tablescapes where this simpler approach to favour presentation looked more elegant in photographs than the elaborately wrapped alternative, precisely because it did not compete visually with the flowers and the place settings around it.
Seed packets, small bulbs, or a wildflower seed favour wrapped in plain paper have become genuinely popular over the past few years, and for good reason: they turn a single evening's object into something that exists for months afterwards, and every time a guest sees their favour flowering in a garden or a windowsill pot, they think of your wedding. This is a category where the eco-friendly framing and the memorable-favour framing are exactly the same thing, which is rare and worth taking advantage of.
The practical detail that matters most with plantable favours is timing relative to the season your wedding falls in. Wildflower seed mixes that are best sown in spring are a slightly odd fit as a favour at a November wedding, because guests either have to store the packet for five months or plant into cold ground with poor results. If your wedding falls in autumn or winter, bulbs that are planted in that season for spring flowering — the kind sold everywhere in garden centres from September — are a far more sensible match, because the guest can genuinely plant them the following weekend rather than needing to remember where they put a seed packet by the following April.
Small potted herbs, such as a young rosemary or thyme plant in a compostable pot, are another option that suits a spring or summer wedding particularly well and gives guests something they can use in cooking within weeks rather than months. They do need slightly more careful handling on the day — someone needs to be responsible for getting them safely home rather than leaving them on a warm marquee table all evening — but for couples who love the idea of a living favour, they are a genuinely lovely alternative to seed packets.
Styling favours for the table photographs
Whatever favour you choose, I always photograph the table styling in full before guests arrive, so if you want a particular arrangement captured — favours lined up with place cards, a detail shot of the wrapping against the linen — let me know on the day so I can build time for it into the schedule.
Talk to me about your wedding day timelineAnother approach that consistently performs well is choosing a favour that solves a small practical problem the guest already has that day, so it gets used before they even leave the venue rather than being taken home at all. A simple wooden or bamboo fan on a hot summer afternoon in a marquee gets picked up and used within minutes, not stored away and forgotten. A pair of soft, foldable slippers or flip-flops left under each chair for the evening reception gets guests out of formal shoes onto the dance floor and genuinely improves how much fun the evening is, which is a favour that pays for itself in atmosphere alone. Reusable cotton tote bags, if your wedding involves guests carrying anything home — cake slices, a small parting gift, an order of service they want to keep — give them a practical way to do it rather than a plastic bag handed out at the door.
The common thread with all of these is that usefulness on the day removes the entire question of whether a guest will bother taking the item home at all, because it has already justified its existence before the evening is over. It also tends to reduce packaging almost to nothing, since a fan or a pair of slippers does not need to be individually wrapped to look good on a table — a simple ribbon tag with the couple's names, or nothing at all beyond a neat row along the table runner, is often more elegant than heavy wrapping.
Reusable items also tend to have a longer life after the wedding than most people initially assume. A good quality tote bag becomes a shopping bag. A small enamel pin or a nicely made bottle opener sits in a kitchen drawer and gets used for years, quietly reminding a guest of your wedding every time they reach for it. These small, genuinely durable objects are, in my experience, kept far longer than anything printed with a date on it in a typeface chosen to match the invitations.
Some couples decide the most honest eco-friendly option is not a physical favour at all, but a small donation made in each guest's honour to a cause the couple cares about, represented on the table by a simple printed card rather than an object. This removes the packaging and waste question entirely and can feel especially fitting for couples who are already conscious about consumption more broadly, or who simply have too many other physical objects from other weddings already sitting in a kitchen drawer somewhere.
If you go this route, I would gently suggest pairing it with something small and tactile as well, even if it is inexpensive — a single wrapped sweet, a tiny sprig of dried lavender, a single seed packet alongside the donation card. Guests do generally like having something physical to associate with the table and the evening, and a card alone, however well-intentioned, can occasionally read as slightly bare in a room full of styled tablescapes. A small, simple, low-waste physical touch alongside a donation card tends to get the best of both approaches.
A few practical points that come up repeatedly once couples have chosen their favour. First, order or make a small buffer above your final guest count — not for waste, but because plans change between the final headcount deadline and the day itself, and a table missing a favour photographs unevenly. Second, if you are hand-making favours yourselves, which many couples choosing this eco-friendly route do, build the time into your pre-wedding schedule generously and honestly — jam-jar labelling, seed-packet folding, and twine-tying for a hundred and fifty favours takes considerably longer than it looks like it should, and it is not a task that benefits from being rushed at midnight the week before.
Third, think about where the favours sit relative to place cards and any other table stationery, because this affects both how the table photographs and how easily guests can find their seat without disturbing the arrangement. I generally suggest keeping favours slightly behind or beside the place card rather than directly on top of it, so a guest can locate their seat at a glance without having to move anything, which keeps the table looking undisturbed for photographs taken later in the evening as well as before doors open.
Finally, if any element of your favours needs particular care on the day — potted plants that should not sit in direct sun on a warm afternoon, jars that need to stay upright in transit, anything with a limited shelf life — it is worth mentioning this to your venue coordinator or a trusted member of your wedding party in advance, since favours are usually set out early in the morning and then left untouched until guests arrive, sometimes for several hours.
Favours are a small detail in the scale of a wedding day, but they are one of the few moments where every single guest, not just the couple, takes something home with them, and that makes them worth a bit more thought than a default catalogue order. Choose something honest, something that suits the season and the room, and something a guest would genuinely be glad to find at their place setting, and you will find far less of it in the venue bin the next morning and far more of it quietly still in use months later. If you are planning your wedding day and want to talk through how table details like this fit into the overall photography timeline, or simply want a second opinion on styling choices from someone who has photographed a great many wedding tables, get in touch and I would be glad to help.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional wedding photographer based in Cambridge, covering weddings across England — from intimate elopements to full-day ceremonies at country houses, barns, and city venues. Every couple receives a relaxed, documentary approach that captures the day as it truly unfolds. This guide — Eco-Friendly Wedding Favours That Guests Won't Throw Away — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for eco friendly wedding favours or sustainable wedding favours uk, the same care and attention shapes every session Yana photographs.
Wedding Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about wedding favour ideas, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
Wedding photography in England typically ranges from £1,500 to £4,000+ for a full day. Price depends on experience, coverage hours, and whether albums or engagement shoots are included. Most photographers charge between £2,000–£3,000 for 8–10 hours of coverage.
For peak season (May–September), book 12–18 months in advance. For autumn and winter weddings, 9–12 months is usually sufficient. Popular photographers at popular venues fill up fast — as soon as you have a date and venue confirmed, start reaching out.
Most professional wedding photographers deliver 400–800 edited images for a full-day wedding. The exact number depends on coverage hours, how many guests there are, and the photographer's editing style. Quality matters more than quantity — a curated gallery of 500 images tells the story better than 1,500 unedited files.
A second photographer is helpful if you want simultaneous coverage of getting-ready moments in different locations, multiple angles during the ceremony, or more candid coverage during the reception. It adds cost but significantly increases the variety and completeness of your gallery.
Documentary (reportage) wedding photography captures moments as they happen — the photographer observes and doesn't intervene. Editorial photography involves deliberate direction: placing you in good light, shaping compositions, creating intentional portraits. Most photographers blend both styles throughout the day.
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