Yana Skakun
Yana Skakun

Every wedding photographer who has been in this profession long enough will tell you the same thing, usually unprompted: the photographs couples come back to ask for reprints of, years later, are almost never the bridal portraits. They are the photographs of grandparents. A wedding is often one of the last occasions on which several generations of a family gather together, dressed formally, in good light, with a photographer present who knows to look for them. These images are genuinely irreplaceable, and they are worth planning for deliberately rather than hoping they happen by chance.
There is a particular weight to a photograph of a grandparent taken on a wedding day that a casual snapshot at Christmas or a birthday simply does not carry. The formality of the occasion, the effort everyone has made with dress and grooming, and the emotional intensity of the day combine to produce portraits that feel deliberate and significant rather than incidental. Couples often tell me afterwards that these are the images that mean the most to them within a few years of the wedding, once the excitement of the day itself has settled.
It is also, frankly, a question of time. Health and mobility change, sometimes quickly and unpredictably, and a wedding may be one of relatively few remaining occasions when a grandparent is able to travel, stand for photographs, and be fully present. Treating grandparent photography as a priority rather than an afterthought reflects that reality honestly.
If grandparents are attending your wedding, let your photographer know at the planning stage, not on the morning itself. It helps enormously to share which grandparents are coming and how they relate to each of you, any mobility considerations such as walking frames, wheelchairs, or a tendency to tire quickly, any hearing difficulties that might affect how easily they can follow group direction, and whether any grandparents have travelled a long distance and are only able to be present for part of the day.
A considerate photographer will build the family formals block around the needs of the least mobile guests, which in practice usually means photographing grandparents first, while everyone is still fresh and before the fatigue of a long day sets in. This single piece of planning does more than almost anything else to guarantee good results.
A short, deliberate list agreed in advance saves time on the day and ensures nothing important is missed in the rush. I always try to capture a quiet portrait of each grandparent alone, which is often the only formal portrait taken of them that year; each grandparent together with the bride or groom they are related to, ideally in soft natural light; grandparents photographed as a couple if they are married, which may be a portrait they have not had taken in decades; and a three-generation portrait bringing grandparent, parent, and the bride or groom together in one frame.
Where possible, a four-generation portrait is worth building time for too, if any of the couple's own children or a grandparent's great-grandchildren are present. And alongside the posed images, I always keep an eye out for a candid of grandparents simply watching the ceremony — unguarded, quiet, and often one of the most moving images from the entire day.
A note on making time for this
Ten extra minutes set aside specifically for grandparent portraits is a small addition to a wedding day timeline, but it is one that consistently produces the photographs families treasure most in years to come. I raise this at the planning stage with every couple who mentions grandparents attending, so it becomes a built-in part of the schedule rather than something squeezed in at the last minute.
Get in touch to plan your timelineThe best window for grandparent portraits is usually the twenty minutes immediately after the ceremony, before the main family formals begin in earnest. Energy is still high at this point, the light is often still soft, and the emotion of the ceremony is fresh on everyone's face. By contrast, leaving grandparents to wait through an entire family photo shoot before their own turn often means the resulting portraits show visible tiredness.
If grandparents are planning to leave the reception early, which is common and entirely reasonable, it is worth scheduling their photographs before the meal begins rather than hoping to catch them later. A quiet corner of the venue, a chair, five minutes, and a photographer who has already been briefed on who is who — that really is all it takes to get these images properly.
Some of the most affecting grandparent photographs I take are not part of the formal shot list at all. A grandmother helping fasten a button before the ceremony, a grandfather offered a quiet toast during the speeches, a grandparent's reaction caught in the crowd during the first dance — these unplanned moments often end up meaning as much to a family as the posed portraits, sometimes more.
I try to keep an awareness of where grandparents are throughout the day, not just during the dedicated portrait window, so that these candid moments are not missed simply because attention was focused elsewhere. Letting your photographer know in advance who the key grandparents are, and roughly where they will be seated or standing at different points in the day, makes this much easier to do well.
A few quiet, practical touches consistently produce better results. Placing a chair within the shot acknowledges that standing for twenty minutes is not always realistic, and seated portraits often end up looking more dignified in any case. Photographing indoors suits grandparents with sun sensitivity or hearing aids prone to whistling in wind. Including hands in the frame — three generations of hands resting together — can produce an extraordinarily tender image on its own.
If a grandparent has passed away before the wedding, many couples choose to include a small reminder of them within the day: a photograph tied into the bridal bouquet, a locket worn on the dress, a handkerchief that belonged to a grandmother, or a watch belonging to a grandfather. These details photograph beautifully and carry profound meaning, and it is worth telling your photographer about them before the day so they can be captured at the right moment, with the right composition and care.
For couples whose grandparents have travelled a significant distance, sometimes internationally, to attend a wedding, it is worth recognising that this may be one of relatively few occasions the whole family is ever gathered in one place again. In these cases, I try to prioritise the grandparent portraits even more heavily within the schedule, since the usual fallback of simply catching up with a family member another time is often not realistic.
If jet lag or travel fatigue is a genuine concern, it is worth scheduling their portraits earlier in the day rather than later, while energy is still at its highest, and building in a little more flexibility around timing than you might for family members who live locally.
None of this happens automatically. A photographer arriving on the morning of your wedding without any prior knowledge of your family is working from a blank slate, and however experienced they are, they cannot know which grandparent to prioritise, who has travelled furthest, or who may not be at the reception for its full duration. A short written brief, even a few lines sent a week or two before the day, makes a genuine difference to how well this part of your day is captured.
I ask every couple I work with for exactly this kind of information during planning, specifically so that grandparent photography is treated as a properly planned part of the day rather than something improvised in the moment.
A short conversation a few weeks before the wedding, rather than a rushed exchange on the morning itself, gives both of us time to think it through properly, and it is one of the simplest things a couple can do to make sure this part of the day is not left to chance.
Grandparent photographs are, in my experience, the ones that grow more valuable with every year that passes. If you are planning your wedding and want to make sure this part of the day is properly considered, get in touch and we can build it into your timeline from the start.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional wedding photographer based in Cambridge, covering weddings across England — from intimate elopements to full-day ceremonies at country houses, barns, and city venues. Every couple receives a relaxed, documentary approach that captures the day as it truly unfolds. This guide — Grandparents at Your Wedding: The Photographs You Will Treasure Most — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for grandparents wedding photos guide or grandparent portraits wedding, the same care and attention shapes every session Yana photographs.
Wedding Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about three generation wedding photos, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
Wedding photography in England typically ranges from £1,500 to £4,000+ for a full day. Price depends on experience, coverage hours, and whether albums or engagement shoots are included. Most photographers charge between £2,000–£3,000 for 8–10 hours of coverage.
For peak season (May–September), book 12–18 months in advance. For autumn and winter weddings, 9–12 months is usually sufficient. Popular photographers at popular venues fill up fast — as soon as you have a date and venue confirmed, start reaching out.
Most professional wedding photographers deliver 400–800 edited images for a full-day wedding. The exact number depends on coverage hours, how many guests there are, and the photographer's editing style. Quality matters more than quantity — a curated gallery of 500 images tells the story better than 1,500 unedited files.
A second photographer is helpful if you want simultaneous coverage of getting-ready moments in different locations, multiple angles during the ceremony, or more candid coverage during the reception. It adds cost but significantly increases the variety and completeness of your gallery.
Documentary (reportage) wedding photography captures moments as they happen — the photographer observes and doesn't intervene. Editorial photography involves deliberate direction: placing you in good light, shaping compositions, creating intentional portraits. Most photographers blend both styles throughout the day.
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