Yana Skakun
Yana Skakun
A few years into photographing weddings across London and the wider region, I started noticing something at the end of the night that most guests never see: the skip. Long after the dancefloor has emptied and the last speeches have faded into the London traffic outside, there is a quiet, unglamorous moment where a small mountain of single-use decor, half-eaten favours, deflated balloons, and disposable everything gets swept into bin bags. I have photographed weddings where the ceremony and reception were genuinely beautiful, thoughtful, and full of love — and where the waste generated in a single evening would fill a transit van. It does not have to be that way, and increasingly it is not. Some of the most memorable London weddings I have photographed in recent seasons have been ones where the couple made a deliberate decision, early in the planning process, to keep waste out of the equation as much as possible. This is not about a joyless, austere day stripped of celebration. It is about being intentional with the choices that make up a wedding, and it turns out that intentional choices very often make for better photographs too.
The single biggest lever couples have over the environmental footprint of their wedding is the venue itself, and specifically how much it already provides versus how much needs to be trucked in and later thrown away. Venues that already have their own grounds, their own furniture, their own crockery and glassware, and ideally their own catering kitchen tend to generate dramatically less waste than a bare marquee or an empty hall that needs everything brought in from scratch and taken away again the next morning. When couples ask me for photography advice early in their planning, I always suggest visiting shortlisted venues with a waste-conscious eye as well as an aesthetic one: ask what happens to leftover food, whether they compost, whether they have reusable dinnerware, and whether they allow you to source your own suppliers or lock you into disposable packages.
Season matters more than people expect too. A wedding held when a venue's own gardens or grounds are in full bloom needs far less imported flora and decoration than one held in a bare, out-of-season space that has to be dressed from nothing. London has genuinely lovely options for this across spring and summer, and even into early autumn, where a naturally beautiful setting does most of the decorative work for you. From a photography perspective this is a gift as well as an environmental one — a venue that already looks glorious without armfuls of imported decor tends to produce more timeless images, the kind that will not look dated or over-styled when you look back on them in twenty years.
Cut flowers flown in from overseas, used for a single day, and then binned are one of the more overlooked sources of wedding waste. A genuinely lower-waste approach starts with asking any florist you are considering about their sourcing: British-grown, seasonal flowers have a far smaller footprint than out-of-season imports, and they tend to have a softer, less uniform beauty that photographs beautifully in natural light. Ask, too, about what happens to the flowers afterwards. Many florists working in this space now offer arrangements built in a way that allows the same blooms to move from ceremony to reception rather than being built twice, and some will take arrangements back after the day to compost or repurpose rather than leaving you with buckets of dying flowers to deal with the next morning.
Decor hire has become a genuinely strong alternative to buying single-use items, and London has no shortage of hire companies offering everything from arches and arbours to table linens, candle holders, and signage that can be used for one wedding and then returned for someone else's. I would always steer a couple towards hiring or borrowing over buying anything that will only be used once. Balloons in particular are worth reconsidering entirely — they photograph well for about fifteen minutes and then become one of the most persistent and problematic forms of wedding litter, especially if any are released outdoors. Dried flowers, foliage arrangements, and reusable fabric bunting all give a similar visual richness in photographs without the single-use footprint.
Save-the-dates, invitations, order of service sheets, place cards, menus, table plans, favour tags — a traditional wedding generates an extraordinary amount of paper, much of which is glanced at once and then left on a table or thrown away before the night is over. Digital save-the-dates and invitations have become widely accepted, and for guests who prefer something physical, printing on recycled or seed-embedded paper reduces the impact considerably. On the day itself, a single large order-of-service board at the ceremony entrance can replace individual printed sheets for every guest, and a beautifully designed table plan display can replace a stack of individual place cards.
Where paper is genuinely worth keeping is anywhere it becomes a keepsake rather than a disposable. A guest book, a framed table plan you keep afterwards, a well-designed menu printed only in the quantities actually needed for each table rather than one per person — these hold their value rather than becoming litter. I mention this to couples partly because it also makes for better documentary photography: fewer scattered paper items on tables means cleaner, calmer reception images, and a beautifully designed single sign photographs far better than a dozen slightly crumpled individual cards.
Planning a lower-waste London wedding?
I love working with couples who are thinking carefully about every part of their day, from the venue to the flowers to the finer details. If you would like to talk through how photography fits into that planning, I would be glad to help.
Get in touch about your weddingFood waste is one of the largest and least visible contributors to a wedding's overall footprint, and it is also one of the easiest areas to improve with the right conversations early on. Ask any caterer you are considering how they handle portion planning, whether they can donate or repurpose significant leftovers, and whether they use reusable or compostable serviceware rather than single-use plastic. A catering team that has genuinely thought about this will usually have a clear answer, and it is worth treating that as a mark in their favour when you are comparing quotes.
Favours deserve a hard, honest look too. The classic small trinket handed to each guest on the way out is, in my experience photographing hundreds of receptions, more often left on the table at the end of the night than taken home. If you want to give guests something, edible favours that are genuinely used, a small charitable donation made in guests' honour, or something practical like a locally made treat tend to have a much better rate of actually being appreciated rather than binned. If you do want a physical favour, choosing something plastic-free and genuinely useful goes a long way.
Drinks packaging is worth a mention as well. Where possible, ask your venue or bar supplier about serving from kegs, casks, or refillable containers rather than individual bottles and cans, and skip single-use straws and plastic stirrers entirely — almost every venue can offer an alternative if asked directly.
Wedding attire sits in an interesting position: it is rarely thrown away outright, but a huge amount of it is bought new for a single wearing and then stored indefinitely, which has its own resource cost. Pre-loved wedding dresses have become far more mainstream in London in recent years, with a genuinely good range available through specialist resale shops and sample sales, and many brides find a beautiful gown at a fraction of the cost of buying new with none of the waiting time. The same applies to suits — hiring rather than buying for the groom and groomsmen is often more cost-effective as well as lower impact, particularly for outfits that will likely only be worn once in that exact combination.
For rings, secondhand and antique jewellers across London offer beautiful options with real history, and many jewellers now also work with recycled precious metals and traceable, responsibly sourced stones if a new piece is what you want. None of this needs to be a compromise aesthetically — some of the most photogenic rings I have captured at recent weddings have been antique pieces with a character that a brand-new ring simply cannot replicate.
As a photographer, I find that lower-waste weddings are often easier and more rewarding to shoot, not harder. A venue that already looks beautiful in its own right, without being buried under disposable decor, gives me more honest, natural backdrops to work with. Fewer individually printed items scattered across tables means cleaner, less cluttered detail shots. Couples who have thought carefully about every choice tend to have thought carefully about the flow of their day too, which usually means a calmer, more enjoyable timeline for everyone in front of the camera, myself included.
There is also a genuinely lovely emotional throughline in photographing a day built around care and intention. When a couple can tell me why they chose a particular venue for its own natural beauty, or why a ring belonged to someone in their family, or why the flowers came from a grower an hour outside London rather than a wholesale importer, those stories tend to come through in the images. A wedding day built on thoughtful choices photographs with a kind of quiet authenticity that is hard to manufacture any other way.
None of this requires giving up the parts of a wedding day that make it feel special — the flowers, the food, the outfits, the little details on every table. It simply asks that each of those choices be made with a question in mind: where does this come from, and where does it go afterwards? Couples who ask that question early, before contracts are signed and orders are placed, almost always end up with a day that feels more considered, more personal, and genuinely lighter in every sense. If you are planning a London wedding with sustainability in mind and would like a photographer who understands and supports that approach, get in touch and we can talk through how your day, and your values, can come together beautifully.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional wedding photographer based in Cambridge, covering weddings across England — from intimate elopements to full-day ceremonies at country houses, barns, and city venues. Every couple receives a relaxed, documentary approach that captures the day as it truly unfolds. This guide — How to Have a Zero-Waste Wedding in London — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for zero waste wedding london or sustainable wedding planning, the same care and attention shapes every session Yana photographs.
Wedding Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about eco-friendly wedding decor, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
Wedding photography in England typically ranges from £1,500 to £4,000+ for a full day. Price depends on experience, coverage hours, and whether albums or engagement shoots are included. Most photographers charge between £2,000–£3,000 for 8–10 hours of coverage.
For peak season (May–September), book 12–18 months in advance. For autumn and winter weddings, 9–12 months is usually sufficient. Popular photographers at popular venues fill up fast — as soon as you have a date and venue confirmed, start reaching out.
Most professional wedding photographers deliver 400–800 edited images for a full-day wedding. The exact number depends on coverage hours, how many guests there are, and the photographer's editing style. Quality matters more than quantity — a curated gallery of 500 images tells the story better than 1,500 unedited files.
A second photographer is helpful if you want simultaneous coverage of getting-ready moments in different locations, multiple angles during the ceremony, or more candid coverage during the reception. It adds cost but significantly increases the variety and completeness of your gallery.
Documentary (reportage) wedding photography captures moments as they happen — the photographer observes and doesn't intervene. Editorial photography involves deliberate direction: placing you in good light, shaping compositions, creating intentional portraits. Most photographers blend both styles throughout the day.
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