Yana Skakun
Yana Skakun

There is a specific window in the first two days after a baby is born where everything is still raw — the exhaustion has not lifted, the wonder has not worn off, and the baby still has that curled, newly-arrived quality that disappears within a week or two. A Fresh 48 session exists to be in the room during that window, quietly documenting whatever is actually happening rather than arranging anything.
I have sat in hospital rooms for these sessions more times than I can easily count, and no two have looked the same. Some are calm and quiet, baby asleep on a chest while an older sibling watches from the doorway. Some are chaotic, feeding not going smoothly, monitors beeping, a partner half-asleep in the chair by the window. Both are exactly what a Fresh 48 session is meant to capture — the truth of those first hours, not a tidied-up version of them.
I work almost entirely with available light and stay as unobtrusive as I can manage in a hospital room, which is often smaller and more clinical than people expect their photographs to look. My job in that first hour is mostly watching — noticing where the light is coming in through the window, working out where I can stand without being in the way of a midwife or a feed, and waiting for the moments that are already going to happen anyway.
There is no posing in the way a styled session involves posing. If a sibling wants to hold the baby, I photograph that as it happens. If a feed is going well, I document it quietly from a distance rather than directing anyone. If the baby is simply asleep in the hospital cot for twenty minutes while everyone else in the room recovers, I photograph that too, because a sleeping newborn in a hospital blanket, lit by window light, is its own kind of image that a later styled session cannot recreate.
Sessions generally run for an hour to ninety minutes, though the exact length depends entirely on the baby and on how the room is functioning that day. I would always rather stay slightly longer to catch a genuine moment than rush through a checklist of shots that do not reflect what is actually happening.
Newborns change fast, and the physical differences between a baby at six hours old and a baby at ten days old are considerable. In the first day or two, babies tend to hold the curled, folded posture of the womb far more readily — knees drawn up, fists near the face — simply because their muscles have not yet had time to relax into a straighter newborn posture. Vernix, the waxy coating some babies are born with, may still be present in creases and folds, and swelling in the face from birth itself is often still visible and, to my eye, part of what makes these images feel so immediately truthful.
None of that is something a stylist or a photographer creates. It is simply the physical reality of those very first hours, and it is precisely why Fresh 48 sessions cannot be recreated later, however carefully a studio session is planned for two weeks down the line.
Most NHS trusts allow photography in private postnatal rooms without any particular fuss, though shared bays and clinical areas will have restrictions, and it is always worth checking with your midwifery team before the session rather than assuming. In Cambridge, the Rosie Hospital generally accommodates Fresh 48 sessions well in private rooms, though I would still recommend confirming this with the ward directly when you are admitted, since policies can vary slightly by unit and by how busy the ward is that day.
I always try to work quickly and calmly around whatever the ward is doing — a midwife coming in to check observations, a feeding support visit, a doctor doing rounds — rather than treating the session as something that needs the room cleared for it. That flexibility is part of what makes Fresh 48 photography workable at all in a working hospital environment.
Book a Fresh 48 session
I can generally come to the hospital within a few hours of you feeling ready, wherever you are giving birth around Cambridge. Get in touch during pregnancy so we have a plan in place before labour starts.
Enquire about Fresh 48 photographyThe preparation for a Fresh 48 session is deliberately minimal, and that is part of the point. I generally ask for one or two outfit options for the baby — a simple sleepsuit and perhaps a plain muslin for a nappy-only look — and a gentle tidy of the room, removing clinical waste bins and any clutter that would visually dominate the frame, without trying to make a hospital room look like anything other than what it is.
What I never ask parents to do is worry about how they look. You have just given birth, or your partner has, and the exhaustion and rawness on your faces is exactly what makes these images honest rather than staged. A quick brush of hair or a change into a clean gown is entirely fine if it makes you feel more comfortable, but it is never a requirement, and I would rather photograph the truth of an exhausted, overjoyed new parent than a performed version of composure.
If there are siblings meeting the baby for the first time, or grandparents in the room, I include them wherever it feels natural — those introductions are often the most quietly emotional part of the entire session, more so than anything involving the baby alone.
Many of the families I work with book both a Fresh 48 session and a separate, more traditional newborn session around ten to fourteen days later. The two serve genuinely different purposes rather than duplicating each other — Fresh 48 captures the unrepeatable rawness of the very first hours, while the later session, done once everyone has had a little recovery time, allows for the calmer, more considered portraits that a still-exhausted first day rarely allows.
Because a Fresh 48 session is documentary rather than curated around a fixed shot list, the finished gallery reflects whatever genuinely happened during the visit — some sessions produce a larger set of images because more was going on in the room, others a tighter, quieter set from a calmer morning. I edit the images to feel true to the actual light and mood of the room rather than applying a heavy, uniform style that would make every family's hospital room look identical. Delivery is typically within one to two weeks, through an online gallery you can share with family who were not able to be there in person.
If you are pregnant and thinking about whether a Fresh 48 session is right for you, the best time to get in touch is during pregnancy itself, so we can agree roughly how the day will work and you have one less thing to think about once labour actually starts. Get in touch to talk it through.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, covering weddings, families, and portraits across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Hospital Newborn Photography: Fresh 48 Sessions Explained — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for fresh 48 photography or hospital newborn photos uk, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about fresh 48 newborn photographer, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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