Yana Skakun
Yana Skakun

Mykonos is one of the most glamorous wedding destinations in the Mediterranean — a Cycladic island of whitewashed windmills, deep blue harbours, boutique luxury hotels, and a cosmopolitan energy that distinguishes it from quieter Greek island destinations. For couples who want a Mediterranean wedding with style and vibrancy, Mykonos delivers a combination of beauty and logistical infrastructure that few other islands can match.
Where Santorini is defined by its caldera drama, Mykonos is defined by a different visual identity — compact whitewashed cubic architecture, the iconic windmills above Mykonos Town (Chora), the colourful Little Venice waterfront, narrow maze-like alleyways with bougainvillea, and a succession of deep turquoise bays. The island's cosmopolitan reputation means high-end accommodation, excellent catering, and a well-developed wedding support infrastructure.
Santorini offers more photographic drama (the caldera is incomparable) and tends to attract couples planning a purely photographic or elopement trip. Mykonos offers better venue infrastructure, a livelier social atmosphere, better beaches, and a more straightforward logistical experience for a multi-day wedding with guests. Many couples solve the question by combining both islands — elopement photograph session on Santorini, wedding celebrations with guests on Mykonos or vice versa.
To legally marry in Greece as a UK citizen, you need to obtain a Certificate of No Impediment (CNI) from the General Register Office in the UK, which must then be apostilled. This process takes several weeks so should be started 2–3 months before the wedding date. The Greek municipality (Dimarcheio) requires this documentation along with passports. Many couples choose to complete the legal paperwork in the UK before travelling to Greece and have a symbolic ceremony on the island — this is recognised as fully meaningful and avoids the administrative complexity.
I travel to Mykonos and across Greek islands for wedding photography, elopements, and engagement sessions. Get in touch to discuss your Mykonos wedding dates and what you are looking for.
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Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional photographer based in Cambridge, covering weddings, families, and portraits across England. Every session is personal — planned around your story, your people, and the moments that matter most. This guide — Mykonos Wedding Photography: Windmills, Little Venice and the Cycladic Islands — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for mykonos wedding photographer or mykonos elopement photography, the same care and attention shapes every session Yana photographs.
Professional Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about destination wedding mykonos greece, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
For outdoor portraits, shoot in aperture priority mode. Use a wide aperture (f/1.8–f/2.8) to blur the background and isolate your subject. Keep ISO as low as possible in good light. In bright conditions, use a neutral density filter or switch to manual to avoid overexposure at wide apertures.
Golden hour is the period roughly 30–60 minutes after sunrise and before sunset. The sun is low in the sky, producing warm, soft, directional light that flatters skin tones and creates beautiful long shadows. It's widely considered the best natural light for portrait and outdoor photography.
In low light, increase your ISO (accepting some grain), use the widest aperture your lens allows, and slow your shutter speed to the slowest you can hand-hold without camera shake (roughly 1/focal length as a guide). Use image stabilisation if available, and consider a tripod for static subjects.
The rule of thirds divides the frame into a 3×3 grid. Placing your subject on one of the four intersection points — rather than dead centre — creates a more dynamic, visually interesting composition. It's a guideline, not a rule: some of the most powerful images break it deliberately.
Professional editing starts with shooting in RAW format. In Lightroom or similar software, correct exposure, white balance, and contrast first. Recover shadow and highlight detail. Apply gentle colour grading for mood. Be conservative with skin retouching — the goal is natural enhancement, not transformation. Consistency across a set of images is what separates professional from amateur editing.
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