Yana Skakun
Yana Skakun
Graduation day rarely belongs to one person. By the time gowns are hired, hoods are pinned on correctly, and everyone has found their college or department group, you are usually standing among a small crowd of people who have spent three or four years together — flatmates, course-mates, society committee members, the people who sat next to you in every seminar for a year. Getting a genuinely good group photograph out of that crowd, in the middle of a day that is already crammed with ceremony timings and family logistics, is a different challenge to a single portrait or a couple's session. It takes a bit of planning, a bit of patience, and someone directing who actually knows what they are doing. This is what I have learned from photographing group graduation photos across Cambridge for several years running.
A phone photo of eight people squinting into the sun outside Senate House captures that you were all there. A properly composed group photograph captures who you actually were together — the flatmate who always made everyone laugh, the study group that got you through finals, the society you ran together for two years. These are the people who will scatter to different cities and different countries within weeks of graduation, and for many friendship groups, this will be the last time everyone is in the same place, dressed up, celebrating the same thing, for a very long time.
I say this not to be sentimental but because it changes how worth-it the planning effort is. A rushed, badly lit group photo where half the group has their eyes closed and the other half is looking at their phones is a photo that gets looked at once and then forgotten. A well-composed group photo, taken with proper light and a bit of direction, is one that gets printed, framed, and shared for decades. The difference in effort required is smaller than most people assume, but it does require someone to actually organise it rather than leaving it to whoever has a phone out at the right moment.
The single biggest obstacle to a good group graduation photo is not lighting or posing — it is coordination. Graduation days are chaotic. Ceremonies run at different times for different courses, families are trying to find seats, some people have two ceremonies to attend if they are collecting a joint award, and everyone has their own parents and siblings pulling them in different directions the moment they walk out of the building. If you want a proper group shot, it needs to be planned before the day, not improvised on it.
The approach that works best is picking one specific time and one specific meeting point, and confirming it with the whole group at least a week in advance — not a vague "let's meet up after" but an actual time and an actual named spot, ideally with a phone number to call if someone gets lost in the crowd. Straight after the ceremony, before everyone disperses to find their own families, tends to work better than trying to reassemble people later in the day once lunches and family plans have taken over. If your group spans two different ceremony times, the gap between them is often the only window where everyone is free and still in gown.
I generally recommend appointing one person in the group as the point of contact for photography — someone who has my number, knows the meeting spot, and can herd people. It sounds like a small thing but it removes an enormous amount of friction on a day when everyone is distracted and slightly overwhelmed. If a group is large, having that one person means I am not trying to shout instructions to fifteen strangers who do not know who I am.
Not every beautiful spot works for group photography. A location that photographs wonderfully for two people can become a logistical headache for twelve, because you need enough width for everyone to stand without the group looking cramped, enough depth of background that faces do not disappear into clutter, and enough distance from foot traffic that you are not fighting a stream of other graduating students walking through your shot every ten seconds.
In Cambridge, the wide lawns behind the colleges and the open stretches along the Backs tend to work far better for large groups than the narrower courtyards, which look stunning for a couple or a family of four but get visually crowded fast once you add ten more people. Senate House Yard itself is often the most obvious meeting point because everyone already knows where it is, but on graduation days it is also the busiest place in the city, so I usually suggest treating it as the meeting point and then walking two or three minutes to a slightly quieter spot for the actual photographs. A few minutes of extra walking in gowns is a small price for a shot that is not full of strangers in the background.
If your college has its own grounds, gardens, or a distinctive gate or archway, those are often underused by other groups and give your photos a sense of place that a generic city-centre backdrop does not. It is worth asking your college in advance whether access is permitted on graduation day, since some colleges restrict grounds access during ceremonies.
The most common mistake in an unposed group photo is a flat single line, which forces everyone to stand shoulder to shoulder and inevitably means someone at the end is half cut off or someone in the middle is obscured by the person in front leaning the wrong way. For groups of six or more, I nearly always work in two or three loosely staggered rows rather than one straight line — taller people or those comfortable standing slightly further back, shorter people towards the front, with small gaps rather than a rigid grid so the arrangement still looks relaxed rather than like a school photo.
For larger course or society groups, a slight curve works better than a straight line, because it means everyone is angled very slightly toward the centre and the camera reads every face clearly rather than catching some people in profile. I also like to break up perfectly matching gowns and hoods with small variations in how people stand — some with arms around each other, some holding scrolls or gowns theatrically, a couple laughing rather than everyone locked into the same rigid pose. A group photo where everyone is standing identically looks like a formation; a group photo where the poses vary slightly but everyone is still facing forward looks like a group of actual friends.
It is genuinely useful to take two versions of every group shot: one properly posed with everyone looking at the camera, and a second taken a few seconds later while people are still in position but relaxing out of the pose, laughing, or turning to talk to each other. That second frame is very often the one people end up loving most, because it looks like them rather than like a formal record.
Planning a group session for your graduation
If you and your course-mates or society are hoping to book a photographer for graduation day, get in touch as early as you can. Cambridge graduation dates book up months in advance, and coordinating a larger group session around ceremony timings works far better with some lead time to plan the meeting point, the location, and how long the session needs to run.
Get in touchA single group photo takes perhaps two or three minutes once everyone is arranged and paying attention. The reality of graduation day is that groups take much longer than that in practice, because people arrive at slightly different times, someone always needs to adjust a hood or find a missing mortarboard, and the moment one photo is finished, half the group starts talking to family members who have wandered over. I plan for this by building genuine buffer time into a group session rather than assuming it will run to a tight schedule — if I quote thirty minutes for a group of this size, I expect the actual working time within that to be closer to fifteen or twenty minutes of real photography.
For groups combining several friendship circles — the whole course plus a smaller group of closer flatmates, for instance — it is worth deciding the order in advance. I usually suggest the largest full group first, while everyone is still gathered and attention spans are freshest, then breaking into smaller subgroups afterwards as people naturally start to peel off toward their own families. Trying to do it the other way around, gathering people back into a big group after they have already scattered, is much harder and often means missing people who have already left for lunch reservations or train times.
Cambridge graduation ceremonies run through the summer months, which in the UK is no guarantee of good weather. Rain, wind, or a sudden burst of harsh midday sun can all disrupt a plan built around a specific outdoor location. For group sessions specifically, I keep a short list of backup spots with covered walkways or arcades nearby, since asking a dozen people in gowns to huddle under a single umbrella is neither practical nor flattering. A few of the college cloisters and covered passages around the city centre work surprisingly well as wet-weather alternatives, offering shelter without losing the sense of occasion.
Overcast days, incidentally, are often better for large group photos than bright sunshine, because even, diffused light means no one in the group is left squinting or half in harsh shadow while someone next to them is lit perfectly. If your ceremony date turns out grey, it is not the setback it might feel like — it is frequently the easier light to work with for a photo involving this many faces at once.
A small amount of preparation makes a noticeable difference to how the group photos turn out. Everyone should know how their hood and gown are meant to sit before the day — the university or gown hire company usually provides a fitting guide, and a group where everyone's gowns are sitting correctly photographs far more cohesively than one where half the group has hoods twisted or gowns gaping open. If your course or society has scrolls, sashes, cords, or any other regalia, bring them along and decide as a group whether you want a formal shot with everyone holding them the same way, or a looser version where people hold them however feels natural.
It is also worth agreeing, loosely, on how people want to dress underneath the gown, since this becomes visible at the neckline and cuffs in most group shots. It does not need to be uniform, but a group where everyone has thought about it even slightly tends to look more put-together in photographs than one where the visible clothing is wildly mismatched in colour and formality.
How far in advance should we book? For Cambridge graduation weeks, I would recommend booking as soon as your ceremony date is confirmed, ideally two to three months ahead. The most popular dates and time slots fill first, and coordinating a larger group around a specific ceremony gap gets easier the earlier the planning starts.
How long does a group session need? This depends on the size of the group and how many subgroups you want photographed, but as a guide I would allow thirty to forty-five minutes for a full course or society group plus a handful of smaller friendship-group breakouts.
Can you photograph us before the ceremony as well as after? Yes, and for very tight schedules this is sometimes the better option, since everyone is generally calmer and less rushed before the ceremony than immediately after, when families are also trying to find their graduates.
What if some of the group also want individual or family portraits? This is extremely common and works well as a follow-on from the group session — the group shot first, then individuals or families peeling off for their own portraits once the bigger photo is done.
A graduation group photo is a small thing to organise and an enormous thing to have, years later, when the group has scattered across different careers and different countries. If you are planning a group session around your Cambridge graduation — whether that is a whole course, a society committee, or a close circle of course-mates — I would love to help you plan it properly. You can see more about how sessions like this run on the about page, browse pricing for graduation sessions, or simply get in touch to talk through your ceremony date and group size. Yana Skakun Photography is based in Cambridge and available for graduation sessions there and UK-wide.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Portrait sessions with Yana Skakun are unhurried and personal — designed to produce images that feel genuinely like you, not a performance. Sessions are available in Cambridge, across East England, and at locations throughout the UK. This guide — Group Graduation Photos: Coordinating Friends, Course-Mates & Societies — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for group graduation photos or graduation photography cambridge, the same care and attention shapes every session Yana photographs.
Portrait Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about course-mates graduation photo, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
The key is to keep moving — walking, talking, laughing. Still poses often look stiff. A good portrait photographer will direct you gently rather than just pointing and shooting. Take a breath, drop your shoulders, and try to focus on something that makes you happy rather than worrying about how you look.
Wear something you feel good in — not something borrowed or brand new that you haven't worn before. Solid colours photograph better than busy patterns. Bring a second outfit for variety. Think about the location: flowing fabrics work beautifully outdoors; tailored looks suit urban settings.
Standard portrait sessions last 60–75 minutes. This allows enough time to warm up, try different locations and poses, and explore a couple of looks without rushing. If you're very camera-shy, a longer session helps — the more relaxed you become, the better the final images.
Gardens, parks, riverside paths, woodland, and areas with interesting architecture all make great portrait backgrounds. The most important factor is light — a location with open shade or soft directional light will always photograph better than a technically beautiful spot in harsh midday sun.
Portrait sessions focus on you as a whole person — full-body, three-quarter, and close-up images in a relaxed, often outdoor setting. Headshot sessions focus specifically on professional or actor headshots: face and upper body, often in a controlled setting with consistent, professional lighting.
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