Yana Skakun
Yana Skakun
For a lot of Cambridge graduates, the family in the audience has travelled a very long way to be there. Parents flying in from Singapore, Lagos, São Paulo, or Shanghai for forty-eight hours around a ceremony are not an unusual sight in late June and July — they are, if anything, the norm on many course lists at the University. If you are an international student and your family is making that trip, the photography around your graduation is not really optional extra polish. It is very possibly the only professional record you will ever have of your parents, your siblings, and you, together, in the city where you spent three or four of the most formative years of your life. That is worth planning properly.
Most of my graduation clients are photographing a single afternoon — gown on, ceremony, photos, gown off, dinner. When family are flying in from overseas, the maths changes completely. Parents might be in Cambridge for two days, sometimes three if they are combining the trip with a short UK holiday, and very often they have never seen the city, the college, or the rooms their child has lived in for years. The photography becomes less about "capturing the ceremony" and more about capturing an entire, once-only visit: the college gate, the room, the supervisor's staircase, the river, the graduation itself, and the family unit standing together in a place that has, until this trip, only existed for the parents as photos on a phone screen and stories over video calls.
That context changes how I plan the session. I build in more time than a typical graduation booking, I ask more questions in advance about what matters to the family specifically, and I treat the shot list as something closer to a short documentary of the visit than a standard gown-and-scroll photoshoot. If your parents are only ever going to see your college once, I want the photographs to actually show them what your life here looked like, not just prove that a ceremony happened.
The single most useful thing you can do, if this applies to you, is to get in touch before your family's flights are booked rather than after. Cambridge graduation ceremonies (Congregations) are scheduled with only a few weeks' notice relative to how far in advance international flights need to be booked, and exact ceremony times within a Congregation day are often confirmed even later. I cannot change that timeline, but I can help you think through it: which day gives your parents the best chance of also seeing the Backs in good light, whether an early or late Congregation slot on your date leaves more usable daylight afterwards, and how many hours you realistically need if grandparents are travelling and will tire more quickly than a group of twenty-somethings.
A typical arrangement I recommend is two sessions across the visit rather than one long one: a shorter, relaxed session the day before or the morning of the ceremony, in normal clothes, around the college and the city, when everyone is fresh and not wearing gowns in the heat; and the formal graduation photography itself immediately after the ceremony, when gowns, hoods, and scrolls are the focus. Splitting it this way means the family photographs are not rushed in the fifteen-minute gap between the ceremony ending and the college drinks reception starting, and it means you get images of your parents actually enjoying Cambridge, not just standing stiffly in academic dress.
Every graduation photographer in this city has a list of reliably photogenic spots — the Bridge of Sighs, the Great Court, the Backs from the meadow side, Senate House Passage. Those are genuinely beautiful and I use them often. But for a family visiting once, I try to weight the location choices toward what is personally meaningful over what is simply pretty. Your own college's front court usually matters more to your parents than a more famous court belonging to a college you never set foot in. The staircase where you lived in first year, the library you complained about, the café where you met your closest friends — these carry weight that generic postcard shots do not, even if they are architecturally less grand.
I always ask new clients in this situation to send me a short list of two or three places on top of the obvious ceremony locations: somewhere that mattered during your degree. It rarely adds much time to the session and it consistently produces the images families say they value most months later, because those photographs tell your specific story rather than a generic Cambridge one. The wedding photography side of my work has taught me the same lesson many times over — personal locations beat impressive ones almost every time when it comes to what people actually treasure.
Planning around a short visit
If your family has a tight window in Cambridge, get in touch as early as you can — ideally as soon as your Congregation date is confirmed, even before flights are booked. I will help you work out a timeline that fits ceremony, formal photographs, and a relaxed family session into the days your parents are actually here, without anyone feeling rushed on what may be their only visit to your college.
Get in touchIt is worth saying plainly: photographing a family together for the first time, on a short and emotionally loaded visit, when some members may be more comfortable in a language other than English, requires a different pace than photographing a group of friends who have known each other for years. I slow down. I explain what I am doing and why before I ask anyone to move, rather than issuing quick instructions and expecting people to keep up. I keep directions simple and physical — showing rather than only telling, standing where I want someone to stand rather than describing it — because that works regardless of language comfort and photographs more naturally than people trying to translate an instruction in their head before responding.
I also build in real pauses for parents and grandparents to simply look around. Many families in this situation are seeing King's College Chapel, the Cam, or the inside of a Cambridge college for the very first time, on the same day their child is receiving a degree from one of the world's oldest universities. That is a lot to take in. Rushing straight from pose to pose without acknowledging that moment produces photographs that look tense, because the family genuinely is a little overwhelmed. Giving people thirty seconds to actually stand and look at Great Court before I ask for a formal shot changes the resulting expression completely.
Gowns and hoods are usually hired from the University or your college for the day, so there is little to arrange there beyond collection and return times, which I factor into the schedule. Beyond academic dress, I would encourage families to think about a few small things that make a genuine difference: a change of comfortable shoes for parents who will be standing on cobbles and uneven college lawns for longer than expected; something for grandparents to sit on or lean against between shots if mobility is a concern, since Cambridge courts have very few benches; and, if it matters to your family, any item with personal or cultural significance — a piece of jewellery, a scarf, a small flag or keepsake — that you would like included in a few of the images. These small personal touches tend to matter far more in the finished gallery than anyone expects beforehand.
Weather is the other honest variable. English summer weather in June and July is unpredictable regardless of how far anyone has travelled to be here, and I always have a wet-weather plan ready — covered cloisters, chapel porches, and interior college spaces that photograph beautifully and mean a light shower does not derail a visit your family has planned for months. I would rather tell you this in advance than have it come as a surprise on the day.
For families about to get on a long-haul flight, waiting the standard turnaround for a full edited gallery is not always practical, so I offer a small selection of quickly edited highlight images within a day or two of the session — enough for parents to share with relatives back home before they leave the UK, with the full gallery following within the usual delivery window. This matters more for this type of session than almost any other booking I do. A parent who has flown twelve hours to be here understandably wants to be able to show their own family what the day looked like before the memory of the trip starts to blur into jet lag and the next flight.
The full gallery, delivered afterwards, includes both the formal graduation portraits and the more candid documentary images from around the city and college — the kind of photographs that end up meaning more with distance and time than anyone expects on the day itself. If you would like a sense of how a session like this is priced and what is included, my pricing page has the general structure, though graduation sessions with family visiting from overseas are usually worth a short call so I can build a timeline around your actual visit rather than a generic template.
How far in advance should we book? As soon as your Congregation date and rough time are confirmed. Late June and July are the busiest weeks of the year for graduation photography in Cambridge, and popular dates fill quickly, particularly ones that align with college May Balls, garden parties, or alumni events that also bring people into the city.
Can grandparents who use a wheelchair or have limited mobility be accommodated? Yes — tell me in advance and I will plan locations around step-free access, since several of the most photogenic spots in Cambridge involve cobbles, steps, or narrow gateways that are worth avoiding or routing around if mobility is a concern.
Do you photograph more than one graduate's family in a day? During peak weeks, yes, but each family gets a dedicated, unhurried slot rather than being fitted into overlapping ceremony crowds. I plan the day's bookings around actual Congregation times so no family feels rushed because I am due somewhere else in ten minutes.
What if it is only the graduate and one parent, not a big group? That is entirely normal, and in some ways simpler to plan around — the session still benefits from the same personal-location thinking and the same fast highlight-delivery approach if a parent is flying home quickly.
If your family is coming from abroad for your Cambridge graduation and you want the photographs to actually reflect what that trip means — not just prove that a ceremony took place — I would be glad to help you plan it properly. Yana Skakun Photography is based in Cambridge and works with graduating students and their families throughout the summer Congregation season, as well as further afield across the UK. Get in touch as early as you can once your date is confirmed, and we will build a timeline around the visit your family is actually able to make.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Portrait sessions with Yana Skakun are unhurried and personal — designed to produce images that feel genuinely like you, not a performance. Sessions are available in Cambridge, across East England, and at locations throughout the UK. This guide — International Students Graduating in Cambridge: Family Flying In? Here's How to Plan the Photos — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for international students graduating cambridge or cambridge graduation photography, the same care and attention shapes every session Yana photographs.
Portrait Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about family flying in for graduation, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
The key is to keep moving — walking, talking, laughing. Still poses often look stiff. A good portrait photographer will direct you gently rather than just pointing and shooting. Take a breath, drop your shoulders, and try to focus on something that makes you happy rather than worrying about how you look.
Wear something you feel good in — not something borrowed or brand new that you haven't worn before. Solid colours photograph better than busy patterns. Bring a second outfit for variety. Think about the location: flowing fabrics work beautifully outdoors; tailored looks suit urban settings.
Standard portrait sessions last 60–75 minutes. This allows enough time to warm up, try different locations and poses, and explore a couple of looks without rushing. If you're very camera-shy, a longer session helps — the more relaxed you become, the better the final images.
Gardens, parks, riverside paths, woodland, and areas with interesting architecture all make great portrait backgrounds. The most important factor is light — a location with open shade or soft directional light will always photograph better than a technically beautiful spot in harsh midday sun.
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