Yana Skakun
Yana Skakun
A Master's or MBA graduation rarely gets the same fanfare as a first degree. There is often no gap year of build-up, no first-time-at-university excitement, and sometimes no family flying in from overseas to make a weekend of it. And yet, for the person walking across that stage, it can represent something considerably harder-won: a qualification studied for around a full-time job, a career pivot funded out of savings, a second (or third) attempt at proving something to themselves, or years of research finally bound into a thesis. I photograph a good number of postgraduate and MBA graduations in Cambridge each summer, and the thing that strikes me every time is how much more the day means to people who already know what it cost them to get there.
Undergraduate graduation photos tend to get taken almost automatically — there is a whole cultural script around it, with parents who have been planning the day since results came in three years earlier. Postgraduate graduations are different. Many MBA and Master's graduates are older, already working, sometimes already parents themselves, and the achievement is layered into an already-full life rather than the culmination of a single continuous chapter of education. That makes it easy to under-mark the day, to treat it as a formality to tick off between meetings.
I would gently push back on that instinct. A Master's or MBA is very often the qualification that changes the trajectory of a career — the one that opens the door to a promotion, a sector switch, a return to a profession after a break, or a business someone has been quietly building on the side. Photographs of that day become the visual anchor for a chapter that otherwise risks disappearing into a blur of evening lectures, dissertation deadlines, and exam stress remembered only in outline. A proper portrait session gives that effort a tangible, finished form.
Most postgraduate ceremonies in Cambridge follow a familiar rhythm: robing beforehand, the formal ceremony itself (often shorter and less crowded than the big undergraduate congregations), then a window of an hour or two afterwards when everyone spills out into the college grounds or onto the streets in gowns, still slightly disbelieving that it is actually done. That window is where the real photography happens. I aim to meet graduates either just before the ceremony, so we can capture some calmer, unhurried portraits while the gown is still crisp and nerves are still present in an interesting way, or immediately after, when the relief and pride are unmistakable on people's faces.
A typical session runs around 45 minutes to an hour, which is enough time to move between two or three locations without rushing anyone in formalwear across town. I always build in a few minutes of pure downtime as well — a coffee, a moment to just stand and take it in — because some of the best candid images happen in those gaps between posed shots, when people forget the camera is there.
If you are considering booking, it is worth reading through the practical detail on my dedicated graduation photography page, which covers timings, packages and what is included in more depth than I can go into here.
Cambridge gives you an embarrassment of riches for this kind of portrait work, and where we shoot often depends on which college or department you studied with, and how much time you have. The Backs along the River Cam, with punts drifting past and the classic college architecture behind you, remain the single most requested backdrop, and for good reason — they photograph beautifully in the soft light of a July or December morning. King's College Chapel and its immaculate front lawn is another favourite, particularly for MBA graduates from Judge Business School, whose ceremonies and celebrations often spill out close by.
For a more personal and specific set of images, I like to include the actual college or faculty building where someone studied — a courtyard, a library entrance, a departmental sign with your name on the noticeboard if we can find one. These details matter more for postgraduate work than people often expect; a generic "Cambridge" photo is lovely, but a photo outside the specific building where you spent eighteen months of evenings and weekends carries a different weight entirely. I keep a running list of quieter courtyards and lesser-known corners precisely because the obvious spots get crowded with dozens of gowned graduates and their families on peak ceremony days, and a five-minute walk to somewhere calmer is almost always worth it.
Booking around ceremony dates
Cambridge postgraduate congregations run across several dates through the year, not just the big summer weekends, and MBA cohorts in particular sometimes graduate outside the traditional undergraduate season. I keep availability specifically for these dates and would rather you get in touch as early as you have a confirmed ceremony date, even months ahead, so we can lock in a slot before the diary fills around the busier congregation days.
Get in touchThe gown, hood and cap do a lot of visual work on their own, so what you wear underneath matters more than people assume. A simple, well-fitted outfit in a solid colour photographs far better than anything busy or heavily patterned, which can clash with the gown's lines and colours. Smart shoes matter too, even though they rarely appear in frame — comfortable, well-fitting footwear changes how you stand and move, and that shows in your posture across a whole session.
If your MBA or Master's carries specific hood colours or cords denoting your subject area, wear them with intention rather than letting them sit askew — they are a genuine point of pride and tell a story about exactly what you studied. Bring your dissertation or thesis if you have a bound copy; it makes for a lovely, understated prop in a handful of images without turning the whole session into a photoshoot about a book. If you are celebrating with a partner, parents, or children, a change of smart-casual clothing for a portion of the session (once formal gown shots are done) often produces the warmest, most natural images of the whole set.
Postgraduate study, especially part-time or executive programmes, is rarely a solo achievement. It is usually propped up by a partner who covered more than their share of childcare and household logistics during dissertation season, or parents who quietly asked how the coursework was going every single week without being asked to. I always encourage graduates to think about who those people are and to build a few minutes into the session specifically for photographs with them — not just the formal "graduate plus family" group shot, but something a little more candid: a hand held, a hug, a proud look that says more than a posed smile ever could.
For graduates with young children, I try to schedule a short, unstructured segment where the child can be part of the celebration on their own terms — running around in the grass in their good clothes, being lifted up in the gown, genuinely enjoying the day rather than being asked to perform stillness they are not capable of yet. Those images tend to become some of the most treasured in the whole gallery precisely because they show what the achievement actually cost and who it was for.
Because so many Master's and MBA graduates are already mid-career, or actively job-hunting straight off the back of their qualification, I often build a short segment into the session for a smart, gown-free headshot as well — something usable on LinkedIn, a company bio page, or a speaker profile without a mortar board in the frame. It takes ten minutes at most, but it means the graduation session does double duty: a set of images that mark the day itself, and a genuinely useful, current professional portrait for whatever comes next. If that is something you would find useful, it is worth mentioning it when we discuss your session, and you can see examples of the style on my professional headshots and executive portraits pages.
This combination works particularly well for graduates who are changing careers entirely off the back of the qualification — the graduation photos capture the milestone, and the headshot captures the version of yourself stepping into the new role.
Cambridge congregation days happen across the calendar, including some in the depths of winter for certain postgraduate cohorts, so I plan for weather rather than hoping for it. A grey or drizzly day is not the disaster people fear — flat, overcast light is actually very kind to portraits and avoids the harsh shadows a bright midday sun can create under a mortar board. I always have a short list of covered or sheltered fallback locations (college cloisters, arcades, porters' lodges with character) so a session can proceed with barely a change of plan if the forecast turns.
Timing on the day itself is worth thinking through in advance. Ceremonies can run later than scheduled, and if you are combining photography with a family lunch or celebratory dinner booking, I would rather build in a slightly generous window than have everyone watching the clock during what should be a relaxed hour. Sessions booked directly before a ceremony need less slack than those booked after, when timings are inherently less predictable.
Do I need to book the university's official photographer as well as a personal one? Many people do both, and there is no conflict — official photographers typically cover the stage moment and a single formal group shot, while a personal session gives you the location variety, the candid family moments, and the professional headshot that official photography packages rarely include.
Can you photograph more than one graduate in the same family or cohort on one day? Yes, and it is a lovely thing to combine — siblings or coursemates graduating on the same day can share a session and split the cost, provided ceremony timings allow enough of a gap between them.
What if English isn't my first language and my family is flying in from abroad? This is common with MBA cohorts especially, given how international Cambridge's business school intake is. I am happy to communicate details clearly in advance and keep instructions simple and visual on the day itself, so language is never a barrier to a relaxed session.
A Master's or MBA is, for a great many people, the qualification that actually changes what happens next — the promotion, the new sector, the business finally launched. It deserves photographs that reflect that, not an afterthought squeezed in between the ceremony and the journey home. Yana Skakun Photography is based in Cambridge and photographs postgraduate and MBA graduations across the city's colleges throughout the year, as well as portrait, headshot and family sessions further afield across the UK. If you have a congregation date coming up, get in touch and we will find a time that works around it.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Portrait sessions with Yana Skakun are unhurried and personal — designed to produce images that feel genuinely like you, not a performance. Sessions are available in Cambridge, across East England, and at locations throughout the UK. This guide — Master's & MBA Graduation Photography: Marking a Career-Changing Achievement — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for masters graduation photography or mba graduation photography cambridge, the same care and attention shapes every session Yana photographs.
Portrait Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about postgraduate graduation photos, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
The key is to keep moving — walking, talking, laughing. Still poses often look stiff. A good portrait photographer will direct you gently rather than just pointing and shooting. Take a breath, drop your shoulders, and try to focus on something that makes you happy rather than worrying about how you look.
Wear something you feel good in — not something borrowed or brand new that you haven't worn before. Solid colours photograph better than busy patterns. Bring a second outfit for variety. Think about the location: flowing fabrics work beautifully outdoors; tailored looks suit urban settings.
Standard portrait sessions last 60–75 minutes. This allows enough time to warm up, try different locations and poses, and explore a couple of looks without rushing. If you're very camera-shy, a longer session helps — the more relaxed you become, the better the final images.
Gardens, parks, riverside paths, woodland, and areas with interesting architecture all make great portrait backgrounds. The most important factor is light — a location with open shade or soft directional light will always photograph better than a technically beautiful spot in harsh midday sun.
Portrait sessions focus on you as a whole person — full-body, three-quarter, and close-up images in a relaxed, often outdoor setting. Headshot sessions focus specifically on professional or actor headshots: face and upper body, often in a controlled setting with consistent, professional lighting.
Continue Reading

Portrait Tips
6 min read · Read Article

Portrait Tips
6 min read · Read Article

Portrait Tips
7 min read · Read Article
Get in Touch
Get in touch to discuss your vision — I'll reply within 24 hours.