Yana Skakun
Yana Skakun
A cake smash session is one of the most joyful shoots a photographer can be part of — a first birthday milestone, a cake nobody minds getting destroyed, and a baby who has no idea they are the centre of attention until the moment icing hits their fingers. But precisely because babies cannot be directed, cajoled, or bribed with promises the way older children can, a cake smash shoot rewards preparation more than almost any other type of session I do. Most of what determines whether the hour feels calm and fun rather than fraught happens before you ever arrive at the studio. This guide covers exactly what I ask parents to think about in the days and hours leading up to a cake smash photoshoot, so you can walk in relaxed and let your baby do the rest.
The single biggest predictor of how a cake smash session goes is whether the baby is well rested. Babies who are even slightly overtired become fussy, resistant to new sensations, and much harder to coax into engagement, no matter how good the cake looks. When we book your session, I will ask about your baby's current nap pattern and we will build the slot around it deliberately — ideally scheduled for the window shortly after a good morning nap, when your baby is fed, rested, and at their most alert and content, rather than squeezed in right before nap time when a meltdown is almost guaranteed.
If your baby's naps are unpredictable, tell me honestly rather than guessing optimistically. It is far better to move a session by half an hour on the day than to push through a shoot with an exhausted baby who simply wants to be held and rocked. Most families find the late morning slot, an hour or so after breakfast, works best, but every baby is different and I would always rather build the timing around your child's actual rhythm than a fixed studio schedule.
A hungry baby will not engage happily with a cake, however delicious it looks to the rest of us — hunger reads as distress on camera and makes settling into any activity much harder. Feed your baby a proper meal or milk feed roughly an hour to ninety minutes before the session so they arrive comfortably full rather than ravenous, but avoid a feed immediately beforehand, since a baby who has just been fed (particularly milk-fed) is often sleepy, less interested in exploring, and more prone to reflux or spit-up once we start the messier part of the shoot. That hour buffer tends to be the sweet spot: full enough to be content, but not so recently fed that they are drowsy or uncomfortable being handled and repositioned.
Beyond the outfit itself, a few practical items make the session run far more smoothly. Bring a spare nappy and a full change of clothes for after the shoot — your baby will be genuinely covered in cake, and travelling home in the outfit they smashed the cake in is not something most parents want to repeat twice. Baby wipes, a muslin cloth, and a bib for the car journey home are worth having in the bag even though we will do an initial clean-up in the studio.
If your baby has a comfort item — a particular toy, a dummy, a favourite blanket — bring it along. These items are enormously useful for settling a baby who is uncertain about the new environment, and having something familiar within reach can be the difference between five minutes of adjustment and twenty. I also encourage parents to bring their baby's usual milk or snack in case there is a gap where they need a top-up between outfit changes, and a change of clothes for yourself is not a bad idea either, since cake smash sessions are rarely a spectator sport for the parent holding the baby beforehand.
Simplicity photographs best. A plain bodysuit or romper in a solid colour, a simple nappy cover with a bow or braces, or nothing more than a nappy and a headband all work beautifully — the cake and your baby's expression are the focus, not a busy printed outfit competing for attention. If you are working to a colour theme, choose one or two coordinating tones rather than a full rainbow of accessories; a single colour palette across the backdrop, cake, and outfit reads as considered and elegant in the final images rather than cluttered.
Practically speaking, avoid anything with a high neckline, tight cuffs, or a lot of buttons, since these all make it harder to get your baby comfortably undressed after the cake smash begins in earnest, and avoid shoes altogether — bare feet photograph far better than any pair of baby shoes and are one less thing to worry about losing in the mess. If you want a first outfit for a "clean" portion of the session before the cake comes out, bring that as a separate look; many parents like a smart outfit for a handful of pristine portraits followed by the simpler smash outfit for the main event.
Not sure where to start?
Every baby is different, and part of my job is adapting the session to whichever mood your child brings on the day — cautious, boisterous, or somewhere in between. If you would like to talk through timing, outfits, or themes before booking, I am always happy to chat it through in advance.
Get in touchFor many babies, a cake smash is their first real encounter with icing, sponge, and the strange sensory experience of a sticky substance on their hands and face. Some babies dive in immediately with no hesitation at all; others need a little time and encouragement to get past the initial uncertainty of touching something unfamiliar. Neither reaction is wrong, and I never push a baby who is genuinely distressed — the goal is authentic joy, not a forced photograph.
If your baby tends to be cautious about new textures, it can help to let them practise with a small taste of icing or a spoonful of yoghurt in the days beforehand, just so the sensation of something sweet and slightly messy on their fingers is not entirely novel on the day. I also find that having a parent nearby, encouraging and smiling rather than anxiously hovering, makes an enormous difference — babies pick up on parental tension very quickly, and a relaxed parent who is enjoying the moment tends to produce a relaxed baby who does the same.
A typical cake smash session at the studio runs for around forty-five minutes to an hour, though the pace is always dictated by your baby rather than the clock. We usually start with a handful of clean portraits before the cake is introduced — your baby sitting against the backdrop, perhaps with a balloon or a "ONE" sign if it is a first birthday session, giving us some polished images before things get messy. Then the cake comes out, and from that point the session becomes far less directed and far more about following your baby's lead, capturing genuine reactions as they discover what is in front of them.
Parents are welcome to stay close throughout, and in fact I encourage it — a parent just out of frame, talking gently, clapping, or making the funny noises that reliably get a laugh, is one of the most useful tools in the whole session. We finish with a clean-up, a change of clothes, and often a splash-in-the-bath image if you would like one, which tends to be a lovely, calmer closing shot after the chaos of the smash itself.
The honest truth about cake smash sessions is that they rarely go exactly to plan, and the best images often come from the unplanned moments — a baby who decides the cake is better worn as a hat, a sibling who cannot resist joining in, a first tentative taste followed by a delighted grin. Go into the session with a loose idea of what you would like rather than a rigid shot list, and trust that a baby's genuine reactions, whatever they turn out to be, generally make for better photographs than a forced smile ever would.
If your baby has an off day and needs more settling time than expected, that is completely normal and not something to feel embarrassed about — I have photographed enough one-year-olds to have seen every possible reaction, from instant delight to total refusal to touch the cake at all, and there is almost always a way to work with whatever mood shows up. Milestone sessions like this one sit alongside other milestone sessions I offer through a baby's first year, and many families like to pair a cake smash with a broader first birthday shoot or an earlier newborn photography session to build a complete visual record of that first twelve months.
Cake smash sessions typically book up several weeks ahead of first birthdays, particularly around the more popular themes and seasonal colour palettes, so it is worth getting in touch as soon as you have a date in mind rather than waiting until the week itself. If you already know the theme of your baby's birthday party, matching the cake smash to that same palette often makes for a lovely, cohesive set of images to use across invitations, party decorations, and thank-you cards. If you are still deciding, I am always happy to talk through backdrop and colour options that will suit your baby's outfit and your own taste, and full pricing details for cake smash and other family sessions are available on the pricing page.
A cake smash session captures a genuinely fleeting moment — the particular, unrepeatable combination of a one-year-old's curiosity, delight, and total lack of self-consciousness that simply will not exist again in quite the same way. With a little preparation around timing, feeding, outfits, and expectations, the session itself becomes something you and your baby can both actually enjoy, rather than something to get through. If you would like to book a cake smash session or talk through the details beforehand, Yana Skakun Photography would love to hear from you — get in touch to check availability.

Yana Skakun
Photographer · England
Professional wedding, family and portrait photographer based in England. Passionate about capturing authentic emotions and timeless moments.
About Yana →Yana Skakun is a professional wedding photographer based in Cambridge, covering weddings across England — from intimate elopements to full-day ceremonies at country houses, barns, and city venues. Every couple receives a relaxed, documentary approach that captures the day as it truly unfolds. This guide — How to Prepare Your Baby for a Cake Smash Photoshoot — is part of the photography journal: practical, experience-based advice drawn from real sessions across England. Whether you arrived searching for cake smash photoshoot or prepare baby cake smash, the same care and attention shapes every session Yana photographs.
Wedding Photography sessions are available year-round, with bookings open across Cambridge, Ely, Huntingdon, Peterborough, and further afield — East England, London, the Midlands, and beyond. If you have specific questions about first birthday photography, mention it in your enquiry. Get in touch through the contact form above to check availability and discuss your session. Enquiries are welcomed from anywhere in the UK.
Wedding photography in England typically ranges from £1,500 to £4,000+ for a full day. Price depends on experience, coverage hours, and whether albums or engagement shoots are included. Most photographers charge between £2,000–£3,000 for 8–10 hours of coverage.
For peak season (May–September), book 12–18 months in advance. For autumn and winter weddings, 9–12 months is usually sufficient. Popular photographers at popular venues fill up fast — as soon as you have a date and venue confirmed, start reaching out.
Most professional wedding photographers deliver 400–800 edited images for a full-day wedding. The exact number depends on coverage hours, how many guests there are, and the photographer's editing style. Quality matters more than quantity — a curated gallery of 500 images tells the story better than 1,500 unedited files.
A second photographer is helpful if you want simultaneous coverage of getting-ready moments in different locations, multiple angles during the ceremony, or more candid coverage during the reception. It adds cost but significantly increases the variety and completeness of your gallery.
Documentary (reportage) wedding photography captures moments as they happen — the photographer observes and doesn't intervene. Editorial photography involves deliberate direction: placing you in good light, shaping compositions, creating intentional portraits. Most photographers blend both styles throughout the day.
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